THE LATEST ARTICLES
NEWSLETTERS
Asian Art Week 2025
Marion Maneker March 16, 2025
The market for Indian art is booming again. Plus, samurai swords, great waves, and porcelain.
Francis Bacon Art Auction
A lack of high-value lots, and some misplaced optimism, led to a 56 percent sales plunge since 2022, but a solid hammer ratio and strong sell-through rate point to underlying health.
William Eggleston
Marion Maneker March 11, 2025
An auction at Phillips offers a rare collection of William Eggleston prints, made with an arcane and all-but-extinct process to amp up the vividness of everyday life.
Christies auctioneer
Buyers remain wary and sellers are greedy, but the latest New York sales hint at a new reality: We’re still far away from the 2022 boom times, sure, but palmy days lie ahead.


Sotheby's Yoshitomo Nara
Marion Maneker March 2, 2025
The U.K.’s auction season previews what’s to come across the pond and for the rest of the year. After perusing the lots, there are some green shoots, yes, but also some notes of caution.
Sophie Neuendorf, Hans Neuendorf, Jacob Pabst
Marion Maneker February 28, 2025
Artnet’s 14-hour, Jerry Springer-esque annual general meeting left the company more gutted than ever, and neutered the ruling Neuendorf clan. The only certainty for the beleaguered company is that this shitshow will play on.
Guillaume Cerutti
The outgoing C.E.O. and new chairman of the board at Christie’s talks teamwork, profits, and, of course, the major reorg he undertook during his eight years at the helm.
Leonard Riggio
Marion Maneker February 26, 2025
This May, Christie’s will auction the $250 million collection of Len Riggio, the late founder of the bookstore chain Barnes & Noble. The first seven pieces revealed from the collection—which is filled with historical work—offer clues about the estimates and what the sale could mean for the broader market.


Frieze Los Angeles 2025
Marion Maneker February 21, 2025
Frieze week in L.A. has everything we love about the city itself—fresh, energetic works, attention-seeking hipsters, and poolside pop-ups. So what if it doesn’t always fit into a nice, neat art market narrative?
Howard Rachofsky
An inside look at The Warehouse, the Dallas exhibition space fusing two collectors—and two generations—to create a hybrid experiential and educational platform to engage with the public.
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