Howard Rachofsky founded The Warehouse in 2012 with a dual purpose: to store his massive art collection, but also to serve as an exhibition and education space for the community in Dallas. Lately, though, he’s been focused on The Warehouse’s future. As he tells me, he’s pragmatic—but he’s also 80. So last year, he teamed up with his friend and sometime canasta buddy, fellow collector Thomas Hartland-Mackie—who also has a strong connection to Dallas’s collaborative art community—and created The Warehouse Dallas Art Foundation, to jointly operate The Warehouse.
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