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Lauren Sherman

Lauren is the preeminent fashion journalist of her generation, offering incisive reportage on all aspects of the industry and its biggest players. She was formerly a top executive at Business of Fashion.

THE LATEST ARTICLES
NEWSLETTERS
Pharrell Williams’ appointment at Louis Vuitton demarcates a new era in fashion.
Lauren Sherman • June 15, 2023
Inside LVMH’s Pharrell Fantasy
Williams’ appointment at Louis Vuitton, if successful, could redefine the relationship between fashion and celebrity at a moment when the two industries have never been more intertwined.
Billionaire mogul Thomas Tull is now a major investor in America’s rediscovered love affair with cowboys.
Lauren Sherman • June 12, 2023
Life Imitates ‘Yellowstone’
Hollywood billionaire Thomas Tull sold his company to the Chinese, moved to Pittsburgh, and became infatuated with a quixotic view of the American West. Could his passion extend to taking over Levi’s?
Lauren Sherman • June 8, 2023
Why Are Designers Becoming So Expendable?
A spate of high profile departures illustrate just how far we’ve come from the ’90s, when houses could afford creative talent more time to achieve success.
Gabriela Hearst walks the runway during the Chloé Womenswear Fall Winter 2023/2024 show.
Lauren Sherman • June 5, 2023
Hearst’s Au Revoir to Chloé
Richemont’s biggest fashion brand is still tiny compared to rivals. Perhaps the greatest challenge for Chloé was one that Gabriela Hearst couldn’t solve.
Lauren Sherman • June 5, 2023
The End of the Edwardian Age
Edward Enninful’s “promotion” to an advisorship at British Vogue completes Condé Nast’s long-labored aim of global consolidation. It also ends an era and ensures that Anna Wintour will be the universe’s last real glossy editor-in-chief.
Nadaam co-founders Matt Scanlan and Diederik Rijsemus.
Lauren Sherman • June 1, 2023
The Naadam Guy, The Death of Entireworld & LVMH Dreams
Notes on an evolving fashion business scandal.
James has made a career of pushing buttons—she has some naysayers, who believe that she only pokes the bear when it’s self-serving—and yet the end result is typically net positive.
Lauren Sherman • May 29, 2023
Aurora James & The Dirty Business of Fashion Economics
In a candid conversation, the designer and activist discusses her big break, some financial lessons learned along the way, that A.O.C. dress and more.
Supreme’s creative director Tremaine Emory is still in recovery mode after suffering a lower aorta aneurysm last October.
Lauren Sherman • May 25, 2023
What’s Going on at Supreme?
Supreme isn’t that big of a company, but its influence is gargantuan. So why was creative director Tremaine Emory’s life-threatening health scare largely overlooked by the press?
Fifteen years after Rachel Zoe made the career viable to millions of teenagers, there are enough people calling themselves “celebrity stylists” to fill multiple representation agencies.
Lauren Sherman • May 25, 2023
The Celebrity Styling Caste System
Yes, yes, styling can be a highly lucrative business, with a handful of top players on retainer for $200,000 per brand, and generating $5 million to $10 million annually. The reality for most stylists, though, is far less glamorous. Is now the time to mobilize?
Virginie Viard, creative director of Chanel since 2019.
Lauren Sherman • May 22, 2023
The Chanel Spell
Gossip abounds and rumors swirl: Is Nicolas Ghesquière headed for Chanel? What are the Wertheimers really thinking? But the real story is a lot more complicated, if decidedly less sexy.
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