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In The Room
Dylan Byers Dylan Byers
Greetings from Washington, welcome back to In the Room, and happy W.H.C.D. to all who celebrate. This weekend’s hottest ticket isn’t the dinner or the NBC and Time afterparties at the French and Swiss ambassadors’ residences, respectively. At 9 p.m. on Saturday, White House A.I. and crypto czar David Sacks and his friend and fellow investor Omeed Malik will host “an exclusive gathering” for the Trump donor set and key administration officials. The invitation, printed in deep green with a gold-embossed “Executive Branch” emblem, does not mention a location—though I’d imagine Sacks is hosting the event at his new $10.3 million penthouse in Georgetown. In tonight’s issue, news and notes on the anxieties of the Washington press corps, real and imagined, heading into the weekend’s White House Correspondents’ Dinner, and Shari Redstone’s looming 60 Minutes settlement. 🍸 Plus, on the latest edition of The Grill Room, Julia Alexander phones in from Canterbury to help chart the media industry’s biggest flashpoints: the D.O.J.’s landmark-in-the-making legal battle against Google and the implications for its ad-tech empire; the tantalizing potential of a YouTube-NFL alliance; plus Brendan Carr’s escalating campaign against the media. Follow The Grill Room on Apple, Spotify, or wherever you prefer to listen. Mentioned in this issue: Larry Ellison, Shari Redstone, Brendan Carr, Bill Owens, Bret Baier, Jake Tapper, Wendy McMahon, David Zaslav, Mark Thompson, and many more… Let’s get started…
  • Bret’s spread: Fox’s Bret Baier is the subject of a lengthy and laudatory new Wall Street Journal profile, which doesn’t contain much in the way of news but is notable for a few reasons. First, while it may seem a tad gauche for one Murdoch-owned outlet to be so flagrantly servicing another, the Journal is by no means a reliable friend of Fox News. Indeed, after Rupert called editor-in-chief Emma Tucker to voice his dismay at a recent profile of Fox antagonist Oliver Darcy, this thing practically reads like an olive branch. But, in fact, Bret deserves the praise. Two years ago, I noted his unique stature as a straightish newsman with a highly rated, high-impact show on an otherwise overtly partisan and occasionally batshit crazy network. He has now grown his average audience to 3.5 million—a number that, like Fox News itself, defies the broader decline of the cable business.
  • The cable chasm: On that note, the Bret profile was also a reminder of the vast gulf between Fox News and its erstwhile rivals—not just in terms of ratings, but also relevance. At least MSNBC, which is being spun out by Comcast, has a story to tell: Its new leader, Rebecca Kutler, has overhauled the primetime lineup and is trying to reassert the channel’s influence with the beleaguered political left (a topic Jen Psaki and I discussed this week on The Grill Room). Meanwhile, CNN seems to have almost no stake in the political conversation (it draws one-sixth of Bret’s audience at 6 p.m., and half that of MSNBC) and has no real story to tell other than Mark Thompson’s long-awaited digital transformation—which, after 18 months, has yet to materialize. If and when David Zaslav gets around to spinning off his own cable portfolio, maybe CNN will be forced to figure out what it wants to be, if it isn’t already too late.
And now, the main event…
Scott Pelley’s Cri de Coeur & Owens Exit Theories

Scott Pelley’s Cri de Coeur & Owens Exit Theories

News and notes on the aftermath of the 60 Minutes saga.
Dylan Byers Dylan Byers
In the White House Correspondents’ Association’s 111-year history, there’s probably never been a time when the balance of power between the president and his official chroniclers has been as humiliatingly asymmetrical. While F.C.C. chairman Brendan Carr wages a blitzkrieg on the major broadcast networks, Trump and his press secretary, Karoline Leavitt, have been testing their ability to run roughshod over the press corps and its cherished traditions, with the Associated Press as their main foil and preferred piñata au courant. Meanwhile, an impotent W.H.C.A. led by Eugene Daniels, the newly anointed MSNBC weekend morning show co-host, has amassed just enough fortitude to issue a few forgettable press releases. (Yes, this would have been a better movie if Kaitlan Collins hadn’t been forced to forfeit the W.H.C.A. chair for that temp job in New York. Sliding doors.) On Saturday night, the W.H.C.A. will hold its annual dinner at the Hinckley Hilton. There will be no comedian—no overworked SpinCo joke is worth that level of scrutiny, I guess—nor any other bold-faced name on the dais. There will inevitably be paeans to the essential role of fearless journalism, which, along with the weekend’s many open bars, may temporarily assuage the existential anxieties of those whose very jobs are subject to their bosses’ bosses’ ability to navigate the industry’s contraction—a challenge, it bears remembering, that they’ve previously demonstrated a jarring inability to manage. Somewhere far from these festivities, Shari Redstone’s lawyers will be workshopping the terms of a settlement offer to the president, so as to forgo a legal fight over Trump’s baseless election interference claim against CBS News and 60 Minutes, and thus, they hope, facilitate the sale of those storied pillars of American journalism, along with the rest of Paramount, to Larry Ellison’s son. As I reported earlier this week, lawyers for both Trump and Paramount have met with the mediator and, as The Wall Street Journal reports, will formally begin settlement negotiations next week. In many ways, Shari’s impending settlement has become a focal point for the political media establishment’s broader anxieties about Trump’s incursions on press freedom and its own dwindling influence. Those fears were exacerbated this week, of course, after 60 Minutes executive producer Bill Owens resigned after nearly four decades at the network. As he told his colleagues, he believed that he had become “the corporation’s problem.” Scott Pelley, his close friend, similarly stressed that Owens “had no choice” in the matter.

“Z”

Several current and former network sources told me they suspect that Owens’ resignation may have been a condition of the approval, though none have any evidence to prove it. Some cited a potential parallel in Nexstar allegedly avoiding a Trump lawsuit by firing a Hill reporter. “The idea that Bill resigned on principle is ludicrous,” one said. Perhaps, but he also probably didn’t want to be micromanaged into oblivion by the current leadership before a new set of overlords inevitably remade CBS News, potentially viewing him as an unfortunate piece of collateral damage. Meanwhile, Shari’s attempts to exert more control over 60 Minutes have made many understandably resentful. As I’ve noted, Shari had sought greater insight into the show’s segments prior to the broadcast, and recently encouraged the reinstallment of former CBS News president Susan Zirinsky as interim executive editor, overseeing standards across the network. There’s some notable history here stretching back to 2018, when former 60 Minutes chief Jeff Fager was fired and both Owens and Zirinsky vied for his job. Owens won that fight, of course, and Zirinsky became CBS News president, where she lasted just two years before being sent to a sinecure overseeing a documentary studio. In January, she was brought back into the CBS News fold as executive editor overseeing standards, which was widely perceived as an infringement on Owens’ cherished editorial freedom. Many sources now wonder whether Zirinsky will use Owens’ exit to get the 60 Minutes job she’s long coveted. Tanya Simon, the show’s executive editor (and the daughter of longtime correspondent Bob Simon), is seen as another contender. In any event, Owens’ exit has also set off a new wave of anxiety across the media at large. On CNN, Jake Tapper admonished Shari for bowing to “presidential pressure” in her quest to sell her company, while Matt Drudge put her on blast as the woman who “sacrificed” 60 Minutes and “destroyed CBS News.” Inevitably, allusions to the settlement will be made at Saturday night’s dinner, as well. But the more intriguing statements may come the following day. CBS sources told me that Pelley himself is preparing some form of commentary for this weekend’s 60 Minutes broadcast—which, depending on what he’s planning, could be a real test of both Tanya’s and CBS News C.E.O. Wendy McMahon’s leadership, chutzpah, risk tolerance, and sheer will. It could also reveal whether Zirinsky is a Redstone shill or a battle axe—and managing this nightmare situation (the departing boss and pissed best buddie, all amid a tortured sale) with aplomb could credentialize her for the gig. It’s also a reminder to the White House that they may be able to get Shari’s money, but they can’t control her journalists.
The Varsity
Puck sports correspondent John Ourand and a rotating cast of industry insiders take you inside the executive suites and owners boxes where the decisions that shape the entire sports business are made. You’ll hear interviews with players, network execs, and everyone in between. The Varsity is an extension of John’s private email for Puck by the same name. New episodes publish every Wednesday and Sunday.
Dry Powder
Unique and privileged insight into the private conversations taking place inside boardrooms and corner offices up and down Wall Street, relayed by best-selling author, journalist, and former M&A senior banker William D. Cohan.
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Hollywood’s Gen X Problem

Hollywood’s Gen X Problem

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ESPN 2.0

JOHN OURAND
Rubio’s Reboot

Rubio’s Reboot

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