Welcome back to The Varsity. By the time this hits your inbox, I’ll be
at the Brooklyn Museum, where Amazon Prime is hosting a dinner to celebrate the tip-off of the WNBA season this Friday. It might be a slight comedown for A’ja Wilson, Angel Reese, and Paige Bueckers, who all attended the Met Gala on Monday night.
In today’s issue, my conversation with Premier Lacrosse League president Paul Rabil, who spoke thoughtfully about the myriad trials involved with
launching a pro sports league in an era of wall-to-wall content. Plus, news and notes on why analysts seem so enthused about Paramount+ these days, Connor Schell’s newest venture, and some labor issues hitting the tennis world.
Before we begin, I want to offer sincere congratulations to my good friend Tripp Mickle, who won his first Pulitzer yesterday for this story on previously
unreported deals between the U.A.E. and the Trump team. We worked closely together at Sports Business Journal, and I couldn’t be prouder of him. Speaking of the Pulitzers, I’m also pleased to report that friend of the pod Pablo Torre won the Pulitzer for audio reporting.
Also mentioned in this
issue: Michael Ratner, Coco Gauff, Jannik Sinner, Livvy Dunne, Caitlin Clark, Gabby Thomas, Dave Roberts, Mike Morris, Chloe Humphrey, Robert Fishman, Joe Tsai, Aryna Sabalenka, Steve Phelps, Michael Eisner, Dana White, Ian
Orefice, and many more… This issue was created with contributions from Curtis Rowser.
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- Paramount’s UFC surprise: Since last summer, there’s been relentless industry chatter that Paramount overpaid for UFC rights upon signing a seven-year, $7.7 billion deal with Dana White’s M.M.A. outfit. But following yesterday’s earnings call, the outlook has been much rosier. This morning, Guggenheim’s Mike Morris noted that more than 10 million homes watched UFC programming on Paramount+, accounting for more than 100 million hours of
viewing time. The most salient point: “New UFC subscribers are on average 15 years younger than the average P+ viewer, and are engaging with broader content offerings including South Park,” Morris wrote, adding that “Paramount+ can generate sustained streaming profitability at scale.”
Meanwhile, in his own note, MoffettNathanson’s Robert Fishman pointed out that Paramount+ also benefited from carrying simulcasts for the NFL playoffs, UEFA Champions League, Europa
League, and college basketball. “We continue to believe sports will be a primary driver of subscriber additions, with the content slate’s retention benefits helping to reduce churn,” he wrote. “However, with the likely upcoming NFL early negotiations due to its change of control provision, we expect the company to reallocate its content budget ahead of the WBD deal.” - Schell games: Back in March, Michael Ratner’s Fanatics Studios
launched the Fanatics Flag Football Classic—an event it both produced and partly owned. About a year and a half earlier, Ian Orefice’s EverWonder Studio started the Players Era Festival, a preseason college basketball tournament that it also produced and partly owned. And earlier today, Connor Schell’s Full Day Productions (which produces the Met Gala livestream, the ESPYs, NFL Honors, and more) and marketing agency GSE Worldwide announced a similar
deal in the college volleyball space.
Of course, media companies have long coveted events they can wholly own, which allows them to sell everything from tickets to sponsorships to media rights. As for Schell’s deal, the two organizations signed Nebraska, Penn State, Florida, and SMU for a preseason women’s college volleyball tournament called Spikes Under the Lights. The event will be held on August 27 at AT&T Stadium in Arlington, Texas, and will feature a $1 million purse. The group has
already been in the market for sponsorship and media deals for a primetime window. - Courting controversy: Labor drama is already brewing around the French Open, which starts on May 18. A handful of the sport’s biggest stars, including the top-ranked women’s and men’s players, Aryna Sabalenka and Jannik Sinner, are considering a boycott over prize money that represents less than 15 percent of the total revenue Roland
Garros makes on the tournament. In an AP story, Coco Gauff referenced the bruising labor battle that the WNBA just underwent. “From the things I’ve seen with other sports, usually to make massive progress and things like this, it takes a union,” she said. “We have to become unionized in some way. … We definitely can move more as a
collective.”
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And now for the main event…
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A candid conversation with Paul Rabil about how his buzzy 8-year-old Premier
Lacrosse League is accelerating growth and preparing for LA28.
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| John Ourand
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Paul Rabil is probably the greatest lacrosse player of his generation—and almost
certainly its most important entrepreneur. Back in 2019, Paul and his brother, Mike, co-founded the Premier Lacrosse League, betting that the sport could sustain a modern professional circuit built from the ground up. After eight seasons, the PLL has an ESPN deal, is expanding its youth business and launching a women’s league, and has the 2028 L.A. Olympics on the horizon.
I recently sat down with Rabil to discuss the various challenges associated with growing a league in
an overcrowded sports media landscape. We got into the changes coming this season, and what it actually takes to build a league that lasts. He also named the women’s superstar he believes could transcend the sport, à la Caitlin Clark. As always, the full conversation will be published tomorrow on the Varsity podcast, but loyal newsletter subscribers get it here first. Our conversation has been slightly edited for length and clarity.
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John Ourand: The easiest thing to do in sports is to say you’re
launching a new league. The hardest is to actually launch it. You’re about to start your eighth season—how did you get here?
Paul Rabil: The amazing thing about building a sports league from scratch is that you can act as a chemist and attempt to take the best of the big sports leagues’ successes and jam it into a picture that might work for, in our case, lacrosse. The hard part about it is you’re fighting for relevance—not only from an attention standpoint, but also
from a commercial and attendance standpoint. If you’re going to be successful, you also have to function as a governor of the game. It’s not enough for us to just grow the PLL. We have to work hand-in-glove with our governing body, with the global governing body, with LA28, with college lacrosse, and certainly with youth lacrosse and the coaching development at the younger divisions—ultimately, all of that feeds up.
Are you out of the startup phase? Are you into the next
phase?
As a founder-led league, we will always have that startup insurgent mentality. That’s how we’re able to grow. Mike [Rabil] and I are in sales meetings. We still pick up the phone and call ticket holders. We travel the country to pitch agencies and brands. We work hand-in-glove with ESPN and Disney around our most recent deal, which is kicking off this summer. Nothing is beneath us—and I would say, like most founders, nothing is above us either.
Last year, our
year-over-year broadcast [audience] was up 43 percent. We hit an all-time peak at 822,000 viewers on an ABC broadcast, and our average ABC, ESPN, and ESPN2 linear viewership was around 277,000. Our audience across digital grew 25 percent. Our youth business is up about 100 percent—and that’s not only getting sticks in hands and goals on the field, but new participants to the game. And to top it all off, we have a nice merchandise business. These numbers aren’t easy to get as an emerging
discipline. So we’re really proud of that growth.
Still, our model is a challenge at times, in that we are a C corp. We carry the freight of player wages to venue costs to marketing—and you can go down the line. But that’s enabled us to build I.P. faster than our predecessor in pro lacrosse, and certainly faster than the other major leagues did pre-internet. We’ve created a bunch of commercial value around our teams, so when we decide to sell teams, we’ll be a lot further along [as far
as] the asking price.
Like most new leagues, PLL is a single-entity league, in which the league owns all the teams. Is moving toward individual team sales the next phase?
That wasn’t necessarily always the destination. We were really venturing out on a limb in 2019 as the first of the modern, emerging sports leagues. The difference between our league and many emerging leagues is that we are the tier-one property of the discipline. The challenge is audience
development, which is what we’ve been investing in pretty seriously. When we think about team sales, that’s an example of how we could potentially pursue audience development. But I think impatience is a chip on the shoulder of a lot of founders.
Team sales is more of a market signal than anything else. When sophisticated capital starts moving toward an asset class, that tells you something about where the market thinks value is headed. In a post-A.I. world where the analog, in-person
experience is becoming more and more appetizing, we’re in a really attractive position by owning our global I.P. that I alluded to. While it might be a little early as we continue to see growth trends, it’s easy to say, “Let’s hold on to optimize value for shareholders.” We have the Olympics in 2028 as a major top-of-funnel moment, and we’re talking more seriously about when it might be right to begin that process.
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You’re one of the greatest lacrosse players in history, and this is a real passion for you.
But how do you stay dispassionate enough to run a business?
My brother Mike is our co-founder and C.E.O., and being in the bunker with your co-founder who’s also your brother is genuinely helpful. Our largest shareholder, Joe Tsai, is as connected to lacrosse as anything in his life—and that’s a huge reason why we’re here today. You have to have a little irrationality when you tackle these things. But you also need the
business projections to back it up, and you need some luck.
We launched at exactly the right moment for streaming. We wouldn’t have been able to raise money and start the league in the early 2000s because every linear network’s inventory was spoken for. Streaming opened unlimited inventory. And now we’re at another inflection point, where technology has created a real appetite for the analog experience.
What storylines do you think will break through this season and pull in
casual fans?
People fall in love with characters. So when we think about storytelling this year—on air during live broadcasts and in our scripted and unscripted development—it all comes back to characters. On the broadcast side, we’re in our third rights deal, second with ESPN, and we want to significantly elevate production. I think our closest look-alike is the NHL. So we’re studying what the NHL has done. For example, Michael Eisner and Disney leveraged the
success of Mighty Ducks to acquire the Anaheim Mighty Ducks and do activations at Disneyland. We can do unique things like that more freely because we’re wholly owned.
From an ESPN standpoint, we want to try player tracking, ball tracking, rules animations, lower cameras. And as far as content, Fate of a Sport on ESPN+ and Disney+. And we’re working on more
projects.
What specifically are you changing this season based on what you’ve learned over the past few seasons?
Two things: an expanded schedule reaching earlier into the spring, and the launch of the Women’s Lacrosse League. We’ve expanded to 54 total games, beginning in May, with 19 linear windows—eight of them on ABC. And the WLL is going to take shape in a way that is highly anticipated, not just from fans but from our partners at ESPN.
The breakthrough
moment for us is Los Angeles 2028, and we’re not waiting for it. That means working closely with our governing body and LA28 on scheduling and positioning, working with NBC on broadcast and streaming distribution, and co-developing scripted and unscripted programming that tells players’ stories. There’s a sophomore at the University of North Carolina right now named Chloe Humphrey who won the national championship and earned Most Outstanding Player as a freshman. She’s a very
bright star, and has an opportunity to be our sport’s first crossover superstar. She’s like Caitlin Clark meets Livvy Dunne. I hope she has a Gabby Thomas moment in 2028—her 200,000 followers going to 2.5 million overnight. We need to be prepared to sustain that momentum.
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On Dave Roberts’s ESPN retirement: “Dave changed the trajectory of my
career. He was tough but consistent. The only time he truly made me sweat was during an editorial meeting. At the end he looked over at me and said, ‘Don’t go anywhere, I need to talk to you.’ Everyone rushed out the door. He closed it and said, ‘I hear you’re running a March Madness pool.’ I gulped and meekly said, ‘Yes.’ I was worried I was about to get in trouble. Then he said, ‘I want in! How much?’” —A broadcast executive
On Don Garber’s successor: “Former NASCAR
chief Steve Phelps would be a good hire. The truth is that FIFA screwed MLS with its price gouging around the World Cup.” —A journalist
More on Garber’s successor: “Judging by your story, it seems like Korn Ferry is not seriously interviewing female executives for the role? Hopefully they have, because there are some incredible female executives out there!” —A league executive
On the prediction markets: “Let me make sure I
understand this. The leagues think they are qualified to have a seat at the table to help govern something as complex as prediction marketplaces; at the same time, they continue to show no competence in addressing/correcting something as simple as their local broadcast blackout restrictions? Got it.” —A Varsity subscriber
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Puck sports correspondent John Ourand and a rotating cast of industry insiders take you inside the executive suites
and owners boxes where the decisions that shape the entire sports business are made. You’ll hear interviews with players, network execs, and everyone in between. The Varsity is an extension of John’s private email for Puck by the same name. New episodes publish every Wednesday and Sunday.
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