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Greetings from Los Angeles, and welcome back to In the Room. The News and Documentary
Emmy Awards take place tonight at Jazz at Lincoln Center, on Columbus Circle, and I’m told that both Bari Weiss and outgoing 60 Minutes correspondent Sharyn Alfonsi were invited. Alfonsi obviously deserves to be there, given that she has received two nominations. But it should be an awkward night if both show up, considering that Sharyn just lit Bari up for letting her contract lapse! More on all that below.
Also in tonight’s edition: news and notes on the latest drama at The Daily Wire, where Ben Shapiro has now ousted both of his co-founding C.E.O.s. The leadership change is only the latest distress flare from a company that has spent months mired in internal dysfunction, infighting, and strategic drift. Can a former game show producer right the ship?
🎙️ Plus, on the
latest episode of The Grill Room, Byron Allen joined me for a long, candid conversation on his BuzzFeed acquisition, and his enduring ambition to build the world’s largest media company. (Yes, really.) Follow The Grill Room on Apple,
Spotify, or wherever you prefer to listen.
📣 Reminder: The Wednesday issue of In the Room will soon be exclusive to Puck’s Inner Circle tier. Don’t forget to
upgrade your subscription for access to all of Puck’s most exclusive insider reporting, including our sister publication, Air Mail. It is well worth it and you can afford it. Join here.
Also mentioned in this issue: Farris Wilks, Jeremy Boreing, David Ellison, Nick Thompson, Caleb
Robinson, Mike Richards, Anderson Cooper, Jeff Zucker, and many more.
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World War Alfonsi: As anticipated, Bari Weiss decided not to renew Sharyn Alfonsi’s contract at 60 Minutes over the weekend. The move came six months after Bari’s infamous decision to preempt Sharyn’s “Inside CECOT” package, which kicked off an internal war between Sharyn and Bari’s team that
culminated in a meeting where the aggrieved correspondent protested her new boss’s meddling and called one of her deputies a “mouthpiece” for the Trump administration.
In late April, I reported that Bari planned to let Sharyn’s contract lapse. For now, however, Sharyn remains employed by CBS News on an at-will basis. I’m told this means
that the network will continue to pay her until she quits or they terminate her. As of Wednesday evening, neither side had budged, and Sharyn seems poised to hold her position and force Bari to fire her or go on writing her checks.
In the meantime, Sharyn is publicly criticizing Bari’s new regime. In a lengthy statement, she said that CBS management was abandoning its commitment to “fearless, independent reporting,” and “choosing access journalism over accountability and protecting power
rather than scrutinizing it.” Bari’s critics are celebrating the defiance, obviously, though she and her team indubitably see this as further evidence of the insubordination that inspired them to let Sharyn’s deal lapse in the first place.
Of course, Sharyn’s scorched-earth campaign comes on the heels of Anderson Cooper’s own exit interview, in which he offered his delicate criticism of the show’s direction under Bari. None of this is great for Bari’s reputation. At the
same time, it’s also not clear how much any of this matters beyond 57th Street. As I’ve also reported, Bari is about to announce changes at 60 Minutes that will incorporate new digital products and new contributors. The success or failure of that effort will matter a lot more to Bari’s rep than any war of words with an outgoing correspondent. Good
luck! - Baripalooza: Speaking of Bari, The Free Press has launched a slate of new subscriber events, including a “Free Press Supper Club,” which connects subscribers in their respective cities; an annual weekend retreat “built around big ideas”; and an “Excursions” program, which offers “curated trips with Free Press writers and contributors ... from the battlefields of Gettysburg and Normandy to the Vatican in Rome.”
Bari & Co. are following
a familiar playbook here—you’ll recall that Nick Thompson recently announced an Atlantic cruise—and it’s a logical step for an affinity-driven mediaco. A master of the charm offensive, Bari should also prove a great dinner host. Still, one wonders whether this is yet another distraction for someone who is already very good at creating them. Bari is overstretched at CBS, even without her existing obligations to The Free Press. On the other hand, some of her CBS charges said they’d welcome a little less attention. - Condé correction: Condé Nast has reached a settlement with the four union members who were fired after confronting H.R. chief Stan Duncan outside his office to protest layoffs at Teen Vogue. As you may
recall, Stan’s attempts to usher the entitled employees back to their desks did not quite pan out. Bon Appétit’s Alma Avalle, the group’s most vocal representative, followed Stan down the hall and asked if he was “running away,” then shouted at him: “Did you let go of Teen Vogue for political reasons?! What are you going to do to stand
up to the Trump administration?!”
Under the new terms, three of the four fired workers will now be allowed to resign as active employees, with nearly two years’ pay—a combined total of just over $400,000, per The Washington Post—and positive letters of recommendation. (Yes, I’m sure that those will be credible and effusive… ) Wired’s Jake Lahut, who had not been at the company long enough to earn union protections, was offered a lesser
settlement. But, according to The Hollywood Reporter, he will instead “pursue the case through an unfair labor practice charge case at the National Labor Relations Board.” - And finally…: Congrats to Jeff Zucker on his role as “Jeff Zucker” in the new A24 film Primetime, about To Catch a Predator host Chris Hansen. Hansen anchored the Dateline NBC segment from 2004 to 2007, which corresponded
with Zucker’s rise from head of NBC Entertainment to C.E.O. of NBCUniversal. I’ve confirmed that that is indeed Zucker in the film… but of course we’d know that head from anywhere.
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Apart from the many distractions and side projects of The Daily Wire’s now former
co-C.E.O.—cigars, a D.T.C. razor business, and a big-budget fantasy series—his biggest business obstacle at Ben Shapiro’s media empire might have been Shapiro himself.
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Last week, Ben Shapiro’s conservative media outfit, The Daily Wire, issued a
surprise statement attributed to chief executive Caleb Robinson: “Stepping down as C.E.O. of Daily Wire,” it read. “Effective immediately, my new title is ‘guy on the board who still owns a lot of the company.’ Pay cut in stress. Raise in the important things.” Continuing in that irreverent staccato, the letter went on to announce that Caleb would be handing the reins to Mike Richards, a famed Hollywood game show producer—and, notably, the man who would have
taken over Alex Trebek’s hosting duties on Jeopardy! had he not been canceled for derogatory remarks he’d made on a podcast. Beyond that, no explanation was given.
The announcement belied the real drama behind the scenes at The Daily Wire. In fact, Caleb’s move was the latest distress flare from a company that has spent months mired in internal dysfunction, leadership infighting, and strategic drift. As I
reported in early May, The Daily Wire has been struggling through layoffs, audience erosion, and its vulnerabilities to the broader “MAGA vibe shift.” But interviews with sources close to The Daily Wire this week suggest that the problems run deeper still, and that the company is suffering through a full-blown leadership crisis that threatens to undo one of the
most influential conservative sites of the era.
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The Wire’s history is well known in right-wing media circles: Ben, Caleb, and Jeremy
Boreing, a conservative filmmaker, co-founded the business in 2015 with a $4.7 million investment from Texas fracking billionaire Farris Wilks. Ben was the marquee talent: a young, fast-talking, Yale-trained polemicist and foreign policy hawk steeped in National Review conservatism. Caleb and Jeremy, the co-C.E.O.s, were meant to provide the leadership and business strategy: Caleb as the operator, Jeremy as the creative visionary. This trifecta grew the
business through Trump 1.0 and the Biden era, arriving at around $200 million in annual revenue by 2024.
Then, as I’ve previously reported, Ben and Caleb grew disillusioned with Jeremy’s leadership after he began working on the production of a big-budget fantasy series called The Pendragon Cycle, for which he took tens of millions of dollars off the balance sheet. Jeremy had a penchant for side projects, and, according to its website, The Daily
Wire maintains an investment in a number of them, including multivitamins, cigars, and Jeremy’s own razor line, which “doesn’t just promise a great shave; it cuts through the political correctness that has infiltrated corporate America.”
The Pendragon debacle has assumed its own mythical status in the story of the co-founders’ rupture, but, in truth, there’s plenty of blame to go around. By all accounts, Jeremy went way over budget—to the tune of tens of millions of
dollars, according to sources familiar with the financials. (A representative for Jeremy declined to comment.) On the other hand, Ben and Caleb’s initial decision to greenlight eight figures for their partners’ Arthurian fantasy project raises questions about their own judgment.
The Pendragon spend drove a wedge between Caleb and Jeremy. Around that time, Caleb also decided to bring in SilverBox Capital, a conservative-oriented SPAC, to explore a possible exit. Jeremy, who
professed allegiance to mission over profits, chafed at Caleb’s brazen attempt to take money off the table. Of course, Jeremy had less leverage with his partners after the Pendragon saga. Last March, Ben and Caleb pushed Jeremy out.
Jeremy’s exit created a leadership vacuum. Since 2020, Ben had lived in Boca Raton, while the company was run out of Nashville. Caleb struggled as sole C.E.O., several sources said, and he leaned on inexperienced, loyalist lieutenants. Meanwhile, Ben
and Caleb formed a board, which also included Farris, their primary investor, as well as reps for each of the Wire’s various investments. Amid this internal drama, The Daily Wire ran headlong into a Trump 2.0 political landscape where there was less demand for Ben’s political views, including his unwavering support for Israel and the war in Iran. Ben has lost at least 80,000 YouTube subscribers so far this year, marking what one analyst has called “the steepest decline of any major
political channel in 2026.”
In light of these headwinds, Ben, Farris, and the rest of the board lost confidence in Caleb’s leadership, which necessitated another leadership change. But whereas Jeremy had been bought out of his position, Caleb will remain on the board—possibly, some sources suspect, because the company doesn’t have the capital to buy him out.
In an email, Daily Wire spokesperson Brad Bishop rejected the idea that Caleb had been pushed out due to
performance: “Caleb stepped down after 10-plus years of building The Daily Wire. He told the board six weeks ago he was ready to transition out of the role. He is still on the board and a significant owner of the company. He recently texted us he’s already traded in X for a set of golf clubs. Honestly, I’m pretty jealous.”
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In any event, Ben and the board are now placing the company’s fate in the hands of Mike Richards,
the former game show producer. Mike joined the Wire as president and chief content officer at the end of 2024, and likely sees this as a comeback opportunity after being run out of Hollywood. In an interview with The Hollywood Reporter last week, Mike claimed that his succession was “unexpected,” though sources inside the building say he’d been preparing for it for over a month. Mike may yet prove a capable steward, but sources close to the Wire already fear he’s out of his depth and
politically misaligned with the Wire’s conservative mission. Some view his promotion as another panic maneuver.
Meanwhile, there’s some scuttlebutt among insiders that Jeremy is already laying the groundwork to launch his own RevengeCo—a true Daily Wire competitor—when his noncompete clause expires, in March of next year. A few months ago, he launched The Jeremy Boreing Show, a talking-head podcast that, sources said, did not run afoul of the noncompete. Perhaps that’s
merely a waystation for a guy who still chafes at being pushed out of the company he co-founded and grew for over a decade. Some sources note that The Daily Wire, too, started as a podcast, and that Jeremy may see this as a springboard to return to the original mission.
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Puck fashion correspondent Lauren Sherman and a rotating cast of industry insiders take you deep behind the scenes of
this multitrillion-dollar biz, from creative director switcheroos to M&A drama, D.T.C. downfalls, and magazine mishaps. Fashion People is an extension of Line Sheet, Lauren’s private email for Puck, where she tracks what’s happening beyond the press releases in fashion, beauty, and media. New episodes publish every Tuesday and Friday.
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A professional-grade rundown on the business of sports from John Ourand, the industry’s preeminent journalist,
covering the leagues, players, agencies, media deals, and the egos fueling it all.
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