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Welcome back to What I’m Hearing+, a little groggy today because I stayed to the end of an
18-inning baseball game last night (and also brought a 9-year-old child to said game, which probably isn’t winning me Parent of the Year honors for 2025). Anyway, Eriq Gardner, a much more responsible person, is back today with a look at how Comcast could maneuver to buy Warner Bros. against Trump’s wishes. Plus, how Michael Wolff turned the tables on Melania Trump, a Disney litigation update, and a legal lesson for
David Zaslav.
Discussed in this issue: Bob Iger, David Zaslav, Alex Spiro, Brendan Carr, Steve Perlman, Bobby Kotick, Michael Wolff, Brian Roberts, Melania Trump, Charles Gasparino, and… Bad Bunny.
All yours, Eriq…
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A MESSAGE FROM OUR SPONSOR
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Eriq Gardner |
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- Michael Wolff SLAPPs
Melania: Readers will recall that I recently predicted it was only a matter of time before a media defendant in a defamation case invoked New York’s anti-SLAPP statute to recover fees after beating a bogus suit filed elsewhere. It turns out the first to make the move is… Michael Wolff. Or at least, sort of.Wolff, the fire-breathing journalist and Trump chronicler, didn’t even wait to be sued. Instead, in a truly mind-bending twist, he is
proactively deploying New York’s still-fresh pro-speech law to go after a demand letter sent by Melania Trump. The first lady, who was upset about Wolff’s suggestion on a Daily Beast podcast that she was somehow entangled in Jeffrey Epstein’s world, demanded an immediate retraction, threatened to sue for $1 billion, and invoked a Florida notice statute that foreshadows litigation. Rather than ignore it, Wolff—represented by Miller Korzenik—went on
offense, claiming that nothing he said is actionable and that Melania should be on the hook for damages.Color me skeptical. I doubt a court finds the controversy ripe enough. Even if it does, it’s hard to imagine Wolff getting the full buffet of discovery that
he’s hoping for—or the compensatory damages he’s demanding for this supposed chill on his speech. Still, I know of several First Amendment lawyers who are watching this case closely to see if New York’s anti-SLAPP law can be stretched this far. I am, too.
- Zaz’s Bobby Kotick precedent: David Zaslav is now in “Revlon mode,” as my partner Bill Cohan recently detailed—meaning he’s engaged in his fiduciary duty to maximize value for shareholders. And while the Warner Bros. Discovery C.E.O. is unlikely to sweat shareholder litigation over how he ultimately parcels out the company, he might want to keep an eye on the
ongoing case against his friend Bobby Kotick and the rest of Activision’s board.That battle stems from their 2021 decision to sell the company to Microsoft while Activision was in the throes of an alleged sexual harassment scandal. (A lawsuit filed that year by California’s Civil Rights Department was later withdrawn and found to be unsubstantiated. The CRD further acknowledged that allegations that Kotick had not responded properly to claims by employees were also unsubstantiated.) Since then, Sweden’s public pension fund, Sjunde AP-Fonden, an Activision shareholder, has been pressing fiduciary-duty claims that have already helped catalyze amendments to Delaware’s corporate code. And the shareholder lawyers haven’t let up.
Earlier this month, Chancellor Kathaleen McCormick largely greenlit an amended complaint, now centered on the allegation that Kotick rushed his company into an unfair deal to shield himself. In her ruling, she says the claims track the “paradigmatic Revlon theory,” pointing to glaring conflicts and a conspicuously disengaged board.Now, Kotick has hired Alex Spiro, Quinn Emanuel’s $3,000-an-hour ace with a well-deserved reputation for
scorched-earth defense. If this goes to trial, expect fireworks. I’d say “Game on,” but McCormick already beat me to it—literally, for those who wish to read her full ruling.
- Disney’s Mickey Mouse docket: Somewhat beneath the radar, it was a busy week on the Disney legal front. The entertainment giant
notched a mixed result in its long-running courtroom saga fending off Steve Perlman’s tech incubator, Rearden, over alleged theft of motion-capture software. The suit is focused on the Avengers films—specifically, Rearden claims that Disney should pay damages (including a portion of the profits from the blockbusters) for a vendor’s unlicensed use of its proprietary system for the VFX work behind characters like Thanos and Hulk. A federal judge just
trimmed the case but is allowing Rearden to proceed with its vicarious liability claim. That ruling mirrors a recent Ninth Circuit decision involving the live-action remake of Disney’s Beauty and the Beast. There are some meaningful
A.I. implications here, which I’ll unpack in an upcoming issue.Meanwhile, in another courtroom, Disney told a federal judge that it had reached confidential settlements with more than 3,500 ESPN+ subscribers who alleged their viewing data was improperly shared with advertisers and data brokers. But Disney’s real fight here was with Labaton Keller, the plaintiff firm representing the subscribers that has become notable for its attempts to weaponize arbitration fees. While other
entertainment companies have responded to these mass arbitration campaigns by suing the plaintiff firms or scrapping arbitration clauses entirely, Disney chose a third path: rewriting its terms of service to funnel complaints to a more favorable forum. (In 2024, Disney amended its T.O.S. to designate National Arbitration and Mediation as its resolution provider. Labaton Keller, in turn, tried to enforce the 2022 terms of service, which designated JAMS.)Live Nation followed the same
playbook, attempting to delegate to a bespoke arbitration firm, but lately has run into some turbulence over the class-action lawsuit I detailed back in May. A few weeks ago, the Supreme Court let stand a lower court ruling that had found the company’s mass arbitration agreement unconscionable (too one-sided)—which means Live Nation and its
subsidiary Ticketmaster are one step closer to trial in a case whose outcome could have implications for Disney, Fox, Warner Bros. Discovery, and all the usual suspects.
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Now, a far more consequential topic on Disney’s legal agenda…
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News and notes on how the government shutdown might disproportionately
benefit Disney’s ability to close its Fubo deal, and why Comcast co-C.E.O. Brian Roberts still has options to circumnavigate Trump’s perceived veto power on the WBD deal.
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There may be a new unintended consequence of the federal government shutdown: In addition to furloughed
employees, lapsed nutritional aid, and interruptions to the Smithsonian’s Giant Panda Cam, The Walt Disney Company may soon be free to close its acquisition of FuboTV. You’ll recall that the deal has been on pause since April, when the Department of Justice opened an inquiry into Disney’s surprise decision, back in January, to buy a controlling stake in the streamer. The D.O.J.’s move was understandable, as I reported at the time, because the arrangement effectively ended a major antitrust fight
that Disney had been losing.
Why was Disney interested in FuboTV in the first place? You surely remember Venu (a.k.a. “Spulu”), the proposed sports streaming joint venture between Disney, Warner Bros. Discovery, and Fox Corp. That three-headed beast pretty much collapsed, in August 2024, after Fubo convinced a federal judge that the venture threatened its own existence as a sports-oriented distributor and should be blocked as anticompetitive. Rather than wage a grinding appeal to overturn
that preliminary injunction, Disney plonked down $220 million for a 70 percent stake in the company. Naturally, the feds had questions.
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Like all major transactions, the deal was submitted for antitrust review under the
Hart–Scott–Rodino Act. But unlike most deals, it didn’t sail through after the 30-day waiting period. Instead, the D.O.J. issued a rare “second request” for documents, placing the deal in a bucket of transactions subject to deeper scrutiny. Legally, Disney couldn’t close until after “substantial compliance” with that request. That wasn’t enough time, so the two sides entered a voluntary timing agreement—effectively pressing pause on the closing.
That pause, I’m told, is about to expire.
(A Fubo spokesperson declined to comment.) Under normal circumstances, the D.O.J. might seek another extension. But thanks to the standoff on Capitol Hill, many Antitrust Division staffers have been furloughed, meaning deadlines could lapse with regulators quite literally out of office. In short, Disney’s Bob Iger could get lucky.
And not just with Fubo. Disney’s other pending acquisition—of the NFL’s media assets— also sits before the
D.O.J. That transaction would further cement ESPN’s grip on the sports broadcasting market. There’s been some idle chatter that the Trump administration might try to meddle with the review as payback for the league’s choice of Bad Bunny as the Super Bowl halftime performer. (Never mind that this season’s championship airs on NBC…) But government intervention requires government workers, and right now, many of them are home, perhaps watching the new ESPN streaming service, if not
live pandas.
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The WBD
Presidential Veto Question
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As the Disney–FuboTV deal choreography has demonstrated, companies often cooperate with federal regulators by
voluntarily holding off on closing their mergers. After all, few want to risk the alternative of the government rushing into court seeking an injunction. But what happens when there’s no realistic path to clearance—say, because the president doesn’t like the cut of your jib, and a court case is inevitable anyway?
I’ve been thinking about this all week as conventional wisdom has begun to harden around the notion that only a Trump-preferred player—namely, the
Ellison clan—could get a Warner Bros. Discovery deal past regulators. The assumption, repeated most loudly by Charles Gasparino at the New York Post, is that a rival bidder like Comcast and its co-C.E.O. Brian Roberts would never overcome Trump’s ire.
Yes, if Paramount Skydance has a golden ticket to speed through the merger-review process, it would certainly be an advantage, but it’s a mistake to treat this WBD deal as subject
to a presidential veto. Trump’s merger cops simply don’t have that kind of leverage. This isn’t like Ellison’s deal to acquire Paramount, which required the approval of Brendan Carr’s Federal Communications Commission. In the WBD deal, which wouldn’t involve a broadcast network, the feds could still slow things down and make life miserable for a few quarters. To stop a deal outright, however, they’d have to convince a judge that the merger violated antitrust law. That’s a
much heavier lift than social media—or Gasparino—would have you believe.
Cognizant of these dynamics, an interested bidder like Comcast has several strategic levers at its disposal. For one, Roberts & Co. could offer deal certainty to David Zaslav and the WBD board in the form of a “hell-or-high-water” covenant obligating the company to take all necessary steps to secure regulatory approval, paired with a hefty reverse termination fee if the transaction collapsed
over antitrust failure. Comcast could also preempt enforcement by anticipating any regulatory concerns and proposing a remedies package, such as divesting CNN, promising not to tilt the playing field toward WBD content, or maybe even dusting off some NBCU-era behavioral commitments, such as offering local news and children’s programming. (Comcast recently donated to Trump’s ballroom/East Wing demo project, which may also help its standing with the White House.)
Of course, none of that
would guarantee smooth sailing with Trump’s D.O.J., which has been busy drawing up indictments for the president’s perceived foes. A merger challenge could still follow. But in that scenario, Comcast could argue selective enforcement, or even the First Amendment, as part of its defense.
During Trump’s first go-round in the Oval Office, the D.O.J. tried to block AT&T’s acquisition of Time Warner—nominally over the bargaining friction caused by DirecTV’s parent owning Turner content. At the
time, many observers noted that Trump’s longstanding loathing for CNN may have had something to do with the arrival of the regulators. The merging parties offered concessions. They invoked the president’s distaste. They teed up constitutional questions. In the end, what mattered was Judge Richard Leon’s conclusion that the D.O.J.’s theory of harm didn’t hold water. The deal closed.
Could the government return this time with a different theory? Certainly. Perhaps
they pivot to labor market effects, arguing that two major studios under one roof would depress wages—a crowd-pleaser for the already fretting guilds, and a handy wedge issue in the cultural cold war. But it would still require economic rigor, a market definition that acknowledges streaming, and an argument that doesn’t crumble in the face of A.I.
and ever-shifting consumption patterns. (Also worth noting: Comcast and PSKY deals would both place two major studios under one roof.)
With that said, I’d still bet on PSKY. Not because the law favors them, but because they’ve shown up with a real appetite for all of WBD’s assets. That matters, although as my partner Bill Cohan deftly laid out, they may need to step up the bid price to compete with the perception by Zaz and many on Wall Street that a split before sale would yield greater value. As for the other suitors, there seems to be genuine interest, although none is pressing aggressively thus far—and those cable TV assets may be a nonstarter for every other potential suitor. Comcast, for instance, is already spinning out its own.
But if these companies do decide to throw their hat in the
ring, they probably won’t be scared off by Washington, nor should they be. It could get a bit messy, but the industry shouldn’t treat a Trump veto as inevitable—or make it a self-fulfilling prophecy.
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Thanks, Eriq. I’ll see everyone on Thursday.
Matt
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Puck founding partner Matt Belloni takes you inside the business of Hollywood, using exclusive reporting and insight to explain
the backstories on everything from Marvel movies to the streaming wars.
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A professional-grade rundown on the business of sports from John Ourand, the industry’s preeminent journalist, covering the
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