• Washington
  • Wall Street
  • A.I.
  • Hollywood
  • Media
  • Fashion
  • Sports
  • Art
  • Join Puck Newsletters What is puck? Authors Podcasts Gift Puck Careers Events
  • Join Puck

    Directly Supporting Authors

    A new economic model in which writers are also partners in the business.

    Personalized Subscriptions

    Customize your settings to receive the newsletters you want from the authors you follow.

    Stay in the Know

    Connect directly with Puck talent through email and exclusive events.

  • What is puck? Newsletters Authors Podcasts Events Gift Puck Careers

{{ 'now' | timezone: 'America/New_York' | date: '%b %d, %Y' }}

What I'm Hearing+
Matthew Belloni Matthew Belloni

Welcome back to What I’m Hearing+, where we are not covering Trump’s $15 billion lawsuit against The New York Times, except to say that every time another media company is targeted by the president, it should extend a massive middle finger to Disney, Meta, and that first round of defendants who paid to settle cases they should have fought, and thus taught Trump that he could make money off bogus litigation.

Anyway, speaking of Trump, Eriq Gardner is back tonight with a fascinating and frightening analysis of whether the president could commandeer Hollywood intellectual property to train A.I. models. Plus, media mogul Jay Penske’s fight over Google summaries, and why the legal battles over the Hulk Hogan sex tape have officially outlived Hulk himself.

Go for it, Eriq…

Eriq Gardner Eriq Gardner
 

Tuesday Thoughts…

  • Penske v. Google’s A.I. summaries: Let’s get past the irony of Jay Penske, who owns nearly every entertainment trade publication in town, crying foul over monopolies. (Disclosure: I wrote for The Hollywood Reporter briefly under Penske.) Don’t discount his newest antitrust case, which targets how A.I.-generated summaries present key facts while discouraging clicks on actual articles—a phenomenon known in media circles as “Google Zero.” Penske may take heart from a federal judge’s recent ruling against Google for maintaining an illegal monopoly in online search. Leading the case on his behalf is Susman Godfrey, the firm behind Dominion’s $787 million settlement victory over Fox News and the pending $1.5 billion settlement won by authors against Anthropic.

    Penske’s complaint hinges on the theory that Google’s dominance in search coerces publishers into handing over their content to train Google’s L.L.M.s—essentially seeding A.I. Overviews—without a real opt-out. Notably, this argument is framed as a competition issue, not a copyright one. Reciprocal dealing isn’t the most straightforward legal avenue, but it’s plausible enough, and perhaps easier than showing copyright protection for facts contained in, say, a news report on a Leo DiCaprio movie—especially when Penske’s own overlapping media brands often publish nearly identical news articles on the same underlying facts. (Penske’s Deadline, in particular, rarely credits or links to other outlets that first report the facts in its articles.)

    The fate of Penske’s case may be tied to an earlier Susman-led matter, filed by Chegg, the educational publisher, which raised similar arguments. Google has moved to toss that one, insisting it’s not in the same market, that “coercion” is implausible, and that publishers voluntarily index their content. The ruling in that case will set the tone—and likely the settlement math—for Penske’s play. Because let’s be honest, regardless of the outcome, the lawsuit may speak to the health of the entertainment trade business.
  • The ghost of Gawker returns to court: Nearly a decade after Hulk Hogan’s takedown of Gawker, we’re still litigating that sex tape. The latest fight is over a documentary, Video Killed the Radio Star, which revisits the publication of Hogan’s infamous private video. The documentary was slated to hit streaming platforms last Friday, until Nick Hogan, son of the late wrestler also known as Terry Bollea, sued to block the release. A judge agreed.

    Technically, the lawsuit is aimed at radio provocateur Bubba the Love Sponge, who secretly recorded the tryst between his then-wife and his then-buddy back in 2007. Hogan initially extracted a settlement from Bubba, who relinquished any claim to the tape, before Hogan sued Gawker, with backing from Peter Thiel, and won the $140 million settlement that sank the company.

    Hogan’s heirs are attempting to block the release of the new documentary by accusing Bubba—or Todd Clem, as he’s legally known—of breaching his own agreement with Hogan. U.S. District Judge Tom Barber appears receptive. Woltz Films, the producer of the documentary, insists that Clem neither owns the company nor controls its content, and that the documentary’s 38 seconds of sex tape footage was pulled from publicly available news broadcasts. A hearing is scheduled for tomorrow.
  • Anderson in the hot seat: CNN is staring down the barrel of another defamation trial in Florida. Nine years ago, a West Palm Beach heart surgeon named Michael Black sued the network for defaming him in a report about infant deaths at his hospital. CNN won a summary judgment, but a state appellate court has overturned the decision and ruled that a jury must decide whether the coverage implied something defamatory. One judge encouraged the trial court to take another look at Anderson Cooper’s role in the broadcast—was he merely reading a script, or did he bear responsibility as a producer? (As I reported back in 2022, Cooper sat for a deposition in the case.) No trial date has been set, but it comes after CNN settled the Zachary Young case after an adverse verdict sent the trial to the punitive damages phase. It’s a reminder that defamation claims have a long shelf life in Florida.
  • ‘The Pitt’ and the legal pendulum: Congrats to actor and executive producer Noah Wyle for a great night at the Emmys: He won best actor, and the HBO Max medical drama won best drama series over Severance. Alas, the limelight ensures there will be more scrutiny of the Michael Crichton estate’s suit alleging that the series is an ER knockoff in violation of a decades-old deal. A Los Angeles judge has already ruled the case has merit, citing evidence of a failed ER reboot to raise legitimate questions about The Pitt’s origins. Warner Bros. TV, which produces The Pitt, is due to file its opening appellate brief on October 2.
  • Hollywood v. Chinese A.I.: Disney, Universal, and Warner Bros. Discovery joined forces today on a copyright lawsuit against MiniMax, the Chinese company behind Hailuo AI, which allows users to insert characters like Darth Vader, the Minions, and the Joker into videos. Perhaps most damning, the company appears to openly advertise that very feature. On paper, at least, the copyright claims look pretty compelling.

    Will MiniMax even respond? And if it does, what guarantee is there that the company would actually comply with an injunction issued by a California federal judge? That’s where diplomacy typically comes into play—and perhaps where this endeavor begins to wobble. Trump, currently knee-deep in trade negotiations with China, is particularly keen to keep TikTok alive. It’s hard to imagine his administration picking a high-profile fight over stolen I.P. at the same time, especially given the president’s own permissive stance on training A.I. with copyrighted content. (Sources familiar with the companies’ thinking here express optimism that the White House wouldn’t tolerate foreign plagiarism. They also note MiniMax’s $4 billion I.P.O. and foreign business plans.)

    Then there’s the conspicuous absence of the Motion Picture Association’s other members. (The MPA itself put out a bland statement of support for the lawsuit a short time ago.) Where are Sony, Netflix, Paramount, and Amazon? All four have their own A.I. agendas, to be sure—for one, Paramount is now owned by the Ellison family, and Larry Ellison’s Oracle is one of the TikTok suitors. But this feels like a moment when industry-wide lobbying muscle might actually matter. And in the end, the true measure of success is what the plaintiffs actually get. A default judgment with no practical enforcement mechanism wouldn’t mean much.
Does Trump Need Spider-Man to Win the A.I. War?

Does Trump Need Spider-Man to Win the A.I. War?

As the president expands his legal assault on the media, a former N.S.A. general counsel has argued that the White House should declare a national emergency to seize Hollywood’s I.P. for an A.I. arms race with China. Is it a total fantasy or just a new normal in these strange times?

Eriq Gardner Eriq Gardner

Last week, I stumbled upon one of the more absurd arguments I’ve encountered this year: a Lawfare column by Stewart Baker, the former general counsel for the National Security Agency, essentially proposing that the U.S. government enlist James Bond, Indiana Jones, and Luke Skywalker in the A.I. arms race with China. Baker, a veteran Republican policy hand, was apoplectic that Anthropic, the big A.I. company behind the Claude chatbot, had agreed to shell out $1.5 billion to settle a copyright infringement class action brought by a group of authors whose books had been pirated to train its large language models. But Baker wasn’t just worried that more litigants would emerge from the woodwork, demanding ever more extravagant payouts. He was worried that the piddling complaints of the entertainment industry could put America’s entire national security at risk.

The problem, Baker argued, is twofold. Artificial intelligence companies need to ingest massive amounts of data to train their L.L.M.s—a voracious hunger that has compelled a few of them, like Anthropic, to allegedly cut some corners when it comes to securing copyrights. But China, our ostensible rival for A.I. world domination, isn’t limited by those kinds of pesky legal concerns. To fight back, Baker wrote, Donald Trump should invoke the Defense Production Act, a Cold War–era law, to compel Disney and other content owners to license their catalogs to Washington on “reasonable” terms. “This is the only expeditious way out of the current mess,” he declared.

It’s sort of hard to imagine that OpenAI or Anthropic really need access to Hollywood I.P. to achieve superintelligence before the Chinese. Nonetheless, he’ll likely get a warm reception from the likes of Sam Altman, Marc Andreessen, A.I. czar David Sacks, and other Silicon Valley heavyweights who have been prodding the administration to bless A.I. training as “fair use.” Trump stopped just shy of doing so in his so-called A.I. Action Plan, but it’s easy to imagine that each courtroom win by Hollywood and the media companies will trigger a fresh lobbying surge on Pennsylvania Avenue.

Naturally, one wonders how far Trump might go if his tech allies keep asking him to push the envelope. I recently noted the president’s attempted power grab at the Copyright Office, and speculated that his team might try to rewrite registration rules—perhaps extracting royalties for Washington whenever Hollywood sought to protect any film or show produced with the help of A.I., similar to the kickback he demanded from Nvidia for selling its chips to China. That gambit may be less likely now that Shira Perlmutter’s firing as register of copyrights has been put on ice, thanks to an appeals court ruling last week. But those machinations reveal how Trump and his aides are thinking. No lever of power is off limits—not even declaring a national emergency to let Elon Musk upload Mickey Mouse onto Grok.

I Want YouTube for U.S. Army

While it’s true that presidents from both parties have stretched the Defense Production Act—accessing rare earth minerals, telecom software, meat and poultry production during the pandemic, etcetera—Baker is effectively proposing that the nation conscript Disney characters, Stephen King novels, and Taylor Swift songs to ensure our models reign supreme. But does American technological hegemony really hinge on the ability to train models on Paw Patrol data? No job is too big, no pup is too small… but my guess is still no.

Look, even if you take Baker seriously, the flaw in his argument is evident in his selective reading of the case law. The Anthropic settlement that provoked him was a legal unicorn, shaped by the company’s admitted use of a pirated library. And the other big decisions aren’t really indicative of where everything is going either. Kadrey v. Meta went Mark Zuckerberg’s way, but might have swung differently with sharper lawyering. And in Thomson Reuters’s copyright infringement suit against Ross Intelligence—also for allegedly using copyrighted material to train its A.I. models—the judge first ruled one way, then essentially threw up her hands, leaving the matter for appeal.

Baker sighs that we’re a long way out from anything resembling consensus. That was always the point. Fair use is fact-specific; a court might deny it to a consumer A.I. model, and grant it to the Pentagon in the name of national defense. And even if the next three dozen A.I. cases all break for copyright holders, nothing prevents the one after that from turning out differently. Besides, Disney, WBD, and Universal can always go on the legal attack against Chinese A.I., as they did today in a new lawsuit against MiniMax.

Meanwhile, by my count, the docket of A.I. lawsuits has swelled past 50. Yet the A.I. companies continue to raise obscene sums at equally obscene valuations—profits optional. So why imagine that a single administration, even an emboldened one, can declare a national emergency, seize Marvel characters and other linchpins of this country’s multitrillion-dollar intellectual property economy, and somehow end the litigation? It’s a fantasy. The day Trump tries to commandeer Spider-Man for his A.I. pals is the day the government is slapped with a Fifth Amendment takings claim. Because if America excels at anything, it isn’t espionage—it’s lawyering.

 

Thanks, Eriq. I’ll see everyone on Thursday.

Matt

The Town

Puck founding partner Matt Belloni takes you inside the business of Hollywood, using exclusive reporting and insight to explain the backstories on everything from Marvel movies to the streaming wars.

Dry Powder

Unique and privileged insight into the private conversations taking place inside boardrooms and corner offices up and down Wall Street, relayed by best-selling author, journalist, and former M&A senior banker William D. Cohan.

Stories
Armani Bake-Off Chatter

Armani Bake-Off Chatter

LAUREN SHERMAN

The Dems’ Biden Flu

The Dems’ Biden Flu

ABBY LIVINGSTON

An NFL Rights War

An NFL Rights War

JOHN OURAND

Puck
Facebook Twitter Instagram LinkedIn

Need help? Review our FAQ page or contact us for assistance. For brand partnerships, email ads@puck.news.

You received this email because you signed up to receive emails from Puck, or as part of your Puck account associated with {{customer.email}}. To stop receiving this newsletter and/or manage all your email preferences, click here.

 

Puck is published by Heat Media LLC. 107 Greenwich St, New York, NY 10006

SEE THE ARCHIVES

SHARE
Try Puck for free

Sign up today to join the inside conversation at the nexus of Wall Street, Washington, A.I., Hollywood, and more.

Already a member? Log In


  • Daily articles and breaking news
  • Personal emails directly from our authors
  • Gift subscriber-only stories to friends & family
  • Unlimited access to archives

  • Exclusive bonus days of select newsletters
  • Exclusive access to Puck merch
  • Early bird access to new editorial and product features
  • Invitations to private conference calls with Puck authors

Exclusive to Inner Circle only



Latest Articles from Hollywood

MELANIA documentary
Matthew Belloni • September 17, 2025
Can ‘Melania’ Open?
On top of the $40 million Amazon ponied up for Brett Ratner’s docu-hagiography, the studio is spending another $35 million to open it in 27 countries, including a splashy Kennedy Center premiere to be attended by top executives. But for all the expense, Melania is for an audience of one.
Ted Sarandos
Matthew Belloni • September 17, 2025
Movie Theaters Want a Ted Sarandos Blood Oath
Regal’s Eduardo Acuna goes public with his pitch for Netflix to sign a 10-year binding pledge with the Trump D.O.J. (and other ideas), ensuring Sarandos won’t go back on his recent promise to give Warner Bros. movies a 45-day window. Offering Greta Gerwig’s ‘Narnia’ a wide release would help, too.
Ted Sarandos
Matthew Belloni • September 17, 2025
How Netflix’s Sony Deal Explains Its Warners Pursuit
The streamer's new global agreement with the studio, valued at up to $8 billion, puts a public value on its slate. Now apply that math to its potential Warners takeover.


Kathleen Kennedy
Matthew Belloni • September 17, 2025
Kathleen Kennedy’s Final Episode
As president of Lucasfilm, the producer oversaw five Star Wars films, a wave of TV shows…. and a galaxy’s worth of abandoned projects and jilted filmmakers. With her exit finally official, is the franchise better off now than it was 14 years ago?
Bob Iger
Julia Alexander • September 17, 2025
The Math Behind Combining Hulu and Disney+
The long-ordained integration of Disney’s two streaming services is being heralded inside Burbank as a transformational moment for both. But will the merged platform really be more than the sum of its parts?
Kevin Spacey
Eriq Gardner • September 17, 2025
Kevin Spacey’s $80M Legal House of Cards
The disgraced actor is soon expected to sit for a brutal cross-examination in the rare Hollywood insurance dispute that has actually made it to trial. A potentially huge payout hinges on whose version of House of Cards’s ending prevails.


John Landgraf
Kim Masters • September 17, 2025
Can John Landgraf’s Slow TV Model Survive?
The oracle of Peak TV is at an inflection point as Disney+ absorbs Hulu and the chase for prestige gives way to the tonnage model.


Get access to this story

Enter your email for a free preview of Puck’s full offering, including exclusive articles, private emails from authors, and more.

Verify your email and sign in by clicking the link we just sent.

Already a member? Log In


Start 14 Day Free Trial for Unlimited Access Instead →



Latest Articles from Hollywood

Dana Walden
Matthew Belloni • September 17, 2025
20 Surefire, 100 Percent Probable Hollywood Predictions for 2026 (Part Two)
StrikeWatch ’26, a bizarre Michael Jackson record, and the future of Disney’s Dana Walden (if she’s C.E.O. or not) in the second act of the town’s favorite prognostication of the year ahead.
a minecraft movie
Scott Mendelson • September 17, 2025
It Was One Box Office Battle After Another in 2025
With Hollywood’s annual output back to resembling its pre-pandemic levels, some clear trends emerged: Kids showed up, horror hit more often than it didn’t, and the superhero slump is real. How might it all apply to 2026 and beyond?
Ted Sarandos
Eriq Gardner • September 17, 2025
Netflix’s Game of Antitrust Chicken
If the streaming giant wins Warner Bros., the feds will almost certainly present their next hurdle. And the Trump Justice Department might ask some questions that Netflix would like to avoid.


Sydney Sweeney
Matthew Belloni • September 17, 2025
20 Surefire, 100 Percent Probable Hollywood Predictions for 2026 (Part One)
The town’s favorite year-ahead forecast returns, with input from some of my best sources—plus a few celebrity Puck friends. The future of ‘Star Wars,’ Instagram Reels, ‘Rush Hour 4,’ and Sydney Sweeney foretold in the first of two parts…
Bryan Lourd caa
Eriq Gardner • September 17, 2025
The CAA-Range Finale, Zaz’s $500M Beef & Trump’s Media Damages Calculator
A look ahead at the most consequential media lawsuits and legal crises that will come to their conclusion in 2026.
Pam Abdy, Mike De Luca
Matthew Belloni • September 17, 2025
Hollywood’s Heroes of the Year Are… The Warner Bros. Duo
In 2025, Mike De Luca and Pam Abdy went from dead executives walking to a six-month stretch of blockbusters and Oscar contenders that silenced the town and offered a middle finger to their boss, David Zaslav. In an era when I.P. has taken over Hollywood, and their studio has been sold to Netflix (or Paramount?), they decided to go out swinging…


sam altman
Matthew Belloni • September 17, 2025
Hollywood’s Villain of the Year Is… Sam Altman
A year before the OpenAI C.E.O. gets the ‘Social Network’ movie treatment, the slop-ification of entertainment took a major leap in 2025 thanks to a copyright infringement hub called Sora 2 and Altman’s brazen courtship of Disney.
Get access to this story

Enter your email to get access to one article and free previews of our private emails from Puck authors and editors.

OR

Already a Member? Sign in



Latest Articles from Hollywood

Oscars
Matthew Belloni • September 17, 2025
The Oscars-YouTube Brand Problem
The streamer’s bold bid to host the Academy Awards offers maximum reach for a show that was becoming minimally niche, but mixing prestige and base populism has its potentially problematic downsides.
Ted Sarandos
Kim Masters • September 17, 2025
Does Anyone Believe Ted Sarandos on Theaters?
As the streamer’s winning bid to secure WBD faces regulatory scrutiny and a hostile offer from Paramount, Ted Sarandos insists that Netflix is committed to a standard theatrical window for Warner Bros. movies. Is it enough to earn Hollywood’s loyalty?
bob iger
Eriq Gardner • September 17, 2025
Disney’s Sora Wager & Hollywood’s Next A.I. Legal Battles
A field guide to the A.I. cases and deals that will shape 2026, including Disney’s recent peace treaty, the Elon-Altman feud, the next round of labor negotiations, the whole ScarJo voice issue, and many more…


david zaslav
Matthew Belloni & William D. Cohan • September 17, 2025
Who Wants Warner Bros. More?
Battle lines have been drawn over David Zaslav’s Warner Bros. Discovery, and both Netflix and Paramount think they have the winning formula. Will the Ellisons get to $34 a share? Can Netflix counter? Is Larry really “backstopping” all the equity? Or is the game already rigged?
Alan Horn and Rob Reiner
Kim Masters • September 17, 2025
Alan Horn Remembers Rob Reiner
The longtime exec paid tribute to Reiner, his onetime partner in Castle Rock Entertainment, and explained why the director dedicated their first movie together to his father.
Ted Sarandos, Greg Peters
Julia Alexander • September 17, 2025
Why Netflix Needs Warner Bros.
Prior to its $83 billion deal to acquire the studio and HBO Max, the streamer had never spent more than $700 million on an acquisition. But Netflix saw an opportunity to own, not license, a significant chunk of its content—and, perhaps more importantly, to block David Ellison from taking it away.


wicked cynthia erivo
Matthew Belloni • September 17, 2025
Can Media Coverage Buy an Oscar?
Every year, awards contenders and pretenders have been mounting unbridled and financially unchecked press campaigns in the hopes of boosting their chances. A new data analysis reveals that they maybe shouldn’t have bothered.


  • Terms
  • Privacy
  • Contact
  • FAQ
  • Careers
© 2026 Heat Media All rights reserved.
Create an account

Already a member? Log In

CREATE AN ACCOUNT with Google
CREATE AN ACCOUNT with Google
OR YOUR EMAIL

OR

Use Email & Password Instead

USE EMAIL & PASSWORD
Password strength:

OR

Use Another Sign-Up Method

Become a member

All of the insider knowledge from our top tier authors, in your inbox.

Create an account

Already a member? Log In

Verify your email!

You should receive a link to log in at .

I DID NOT RECEIVE A LINK

Didn't get an email? Check your spam folder and confirm the spelling of your email, and try again. If you continue to have trouble, reach out to fritz@puck.news.

CREATE AN ACCOUNT with Google
CREATE AN ACCOUNT with Google
CREATE AN ACCOUNT with Apple
CREATE AN ACCOUNT with Apple
OR USE EMAIL & PASSWORD
Password strength:

OR
Log In

Not a member yet? Sign up today

Log in with Google
Log in with Google
Log in with Apple
Log in with Apple
OR USE EMAIL & PASSWORD
Don't have a password or need to reset it?

OR
Verify Account

Verify your email!

You should receive a link to log in at .

I DID NOT RECEIVE A LINK

Didn't get an email? Check your spam folder and confirm the spelling of your email, and try again. If you continue to have trouble, reach out to fritz@puck.news.

YOUR EMAIL

Use a different sign in option instead

Member Exclusive

Get access to this story

Create a free account to preview Puck’s full offering, including exclusive articles, private emails from authors, and more.

Already a member? Sign in

Free article unlocked!

You are logged into a free account as unknown@example.com

ENJOY 1 FREE ARTICLE EACH MONTH

Subscribe today to join the inside conversation at the nexus of Wall Street, Washington, A.I., Hollywood, and more.

START 14-DAY FREE TRIAL

  • Daily articles and breaking news
  • Personal emails directly from our authors
  • Gift subscriber-only stories to friends & family
  • Unlimited access to archives
  • Bookmark articles to create a Reading List
  • Quarterly calls with industry experts from the power corners we cover