• Washington
  • Wall Street
  • A.I.
  • Hollywood
  • Media
  • Fashion
  • Sports
  • Art
  • Join Puck Newsletters What is puck? Authors Podcasts Gift Puck Careers Events
  • Join Puck

    Directly Supporting Authors

    A new economic model in which writers are also partners in the business.

    Personalized Subscriptions

    Customize your settings to receive the newsletters you want from the authors you follow.

    Stay in the Know

    Connect directly with Puck talent through email and exclusive events.

  • What is puck? Newsletters Authors Podcasts Events Gift Puck Careers
What I'm Hearing...
Black Box Diaries
Matthew Belloni Matthew Belloni
Welcome back to a jam-packed What I’m Hearing on a very welcome rainy evening in Los Angeles. Tonight, some exclusive news on an escalating fight over Yellowstone, a few key moves at the streamers, a new Nielsen record, and details about how the Oscars show will kick off. Plus, an update on the Paramount-Skydance transaction amid this week’s Trump threats. Still not a Puck member? Click here. Got a news tip or an idea for me? Just reply to this email or message me on Signal at 310-804-3198. Let’s begin…
 

Thursday Thoughts…

  • Gersh vs. CAA over ‘Yellowstone’: There’s a brewing battle between two talent agencies over the Taylor Sheridan cash machine. Gersh represented Sheridan until 2017, when CAA poached him on the eve of his Wind River premiere at Cannes. But before that, Gersh had brokered the sale of a television project called Yellowstone, which entitles the smaller agency to 10 percent of Sheridan’s earnings from the series and all its prequels, sequels, and spinoffs. That, of course, turned into a pretty sweet deal for Gersh. Besides becoming TV’s biggest show, Yellowstone has spawned two prequels, 1883 and 1923, an in-the-works spinoff series, The Madison, and other offshoots in various stages of development. Gersh shares in all that, despite having been fired by Sheridan nearly eight years ago. I’m told that CAA has been paying Gersh its share of the Yellowstone haul from the different shows. But Sheridan has also been receiving hefty advances from Paramount against his backend compensation on Yellowstone and other Sheridan-verse series, like Tulsa King and Mayor of Kingstown. Gersh contends that CAA has been commissioning that money and cutting Gersh out of its full share of the Yellowstone portion. The dispute is currently only at the nasty-letter-writing phase, but potentially millions of dollars are at stake, so let’s see if it ends up in litigation. (CAA and Gersh declined to comment.)
  • Christmas was Nielsen’s most-streamed day ever: No, it wasn’t just you and your weird niece watching Netflix to avoid the family on Christmas Day. New Nielsen data shared with me reveals that December 25 broke the record for most minutes watched on streaming services in a single day in the U.S. Thank those two NFL games on Netflix, of course, but also Red One (Prime Video) and feel-good holiday content like the Home Alones (Disney+), Elf (Max/Hulu), and Billy Bob Thornton smoking cigarettes (Landman, on Paramount+). That’s 51.2 billion viewing minutes in total on televisions (mobile and laptops were excluded), or half of all TV consumption on Christmas. Nice work, America! Here’s the full chart:
  • Robinov’s Netflix deal: No, Jeff Robinov is not “consulting” for Netflix, as a couple people asked me this week. The former Warner Bros. film chief turned independent producer is closing a production deal at the streamer, but it’s a standard first-look arrangement, one of several that film head Dan Lin is bringing in as he reshapes the Netflix movie division.
  • Apple marketing mystery solved: Apple TV+ is finally hiring a marketing chief, nine months after Ricky Strauss departed. I’m told Shannon Willett, currently C.M.O. of Peacock, is in negotiations for the gig. She’s gotta improve on this Silo poster.
A MESSAGE FROM OUR SPONSOR
Black Box Diaries
Black Box Diaries
  • Speaking of mysteries…: The Producers Guild finally figured out who’s getting the coveted PGA “mark” for Oscar frontrunner The Brutalist: Brian Young, Andrew Morrison, Nick Gordon, director Brady Corbet, and D.J. Gugenheim. That last name is interesting because Gugenheim was initially denied the mark and petitioned the PGA. (Don’t get me started on the PGA arbitration process.) This all matters, of course, because the Academy follows the PGA, and only producers with the mark receive statues on Oscar night. That would be huge for Gugenheim, a veteran who also happens to be the author of the 2014 self-help manifesto, Sexual Fitness: The Ultimate Guide to Pump While You Hump, Tone While You Bone, and Shred in the Bed. That one’s available on Amazon with delivery in time for Valentine’s Day—and the Oscars.
  • And speaking of Oscar night…: I’m told that the Academy and executive producers Raj Kapoor and Katy Mullan have decided to open the show with a Wicked medley, featuring stars Ariana Grande and Cynthia Erivo. Which makes sense. In a year with mostly little-seen nominees, the telecast is leading with its best asset. (The Academy declined to comment.)
  • Bridget Jones: Mad About Theaters: Is anyone else surprised that Universal isn’t trying theaters for Bridget Jones: Mad About the Boy? The latest in the Renée Zellweger single-lady franchise is getting a theatrical release in most territories but is going direct to Peacock in the U.S. on February 14. That’s despite the current nostalgia craze and an on-trend storyline of Bridget, now in her 50s, dating a much younger man (Leo Woodall). Universal sources point to the most recent installment, Bridget Jones’s Baby in 2016, which grossed just $24 million domestic ($211 million worldwide). But Hugh Grant ghosted that one, and the Valentine’s Day holiday weekend box office is notably missing a rom-com for couples.
  • Super Bowl ratings over/under: Last year’s viewership, 123.7 million total people across platforms, will be hard for Fox to beat. But since Nielsen now counts 100 percent of out-of-home viewing, and Tubi is showing the game for free (Fox estimates 8.5 million will stream it there), I’ll take the over.
Now, on to the latest in the Paramount saga…

Paramount in the Political Firestorm

As Shari Redstone decides whether to pay off Trump to settle a CBS News lawsuit, and a fiery F.C.C. chair raises a potential new obstacle to the Skydance merger, David Ellison can only watch and plan for the day when—or maybe if—he finally takes control of the languishing studio.
Matthew Belloni Matthew Belloni
If you’ve met with David Ellison lately, you’d think it’s business as usual for the Skydance Media C.E.O. and wannabe owner of Paramount Global. Since Ellison and Shari Redstone reached an agreement on the $8 billion merger in July, he’s been dutifully doing those integration meetings, learning about the scale and structure of the business, and offering his opinions as if all was going according to plan. (By the way, it’s likely gonna be more than the $2 billion in cuts/layoffs that Ellison promised.) Last week, Ellison got together again with Taylor Sheridan, the company’s most important hitmaker. That goes for the rest of the incoming Paramount crew, too. Jeff Shell, Ellison’s No. 2 when (or if) the deal closes, has been in the New York offices of Paramount a bunch lately. He and Chris McCarthy, one of the company’s three current co-C.E.O.s we’re still not calling the Pep Boys, have been meeting with advertising holding companies—which is a bit awkward because McCarthy likely will not stay with Paramount post-close. George Cheeks, a co-C.E.O. who is probably staying, has been particularly active, along with Ellison and Shell, on CBS issues, including settling the recent standoff with Nielsen. Cindy Holland, who will run the streaming business, has been identifying projects for Paramount. And Dana Goldberg, the Skydance film exec who will take over Paramount Pictures, has been telegraphing her plans to the talent agencies—plans that do not include the third Paramount co-C.E.O., Brian Robbins. Also, the town’s worst-kept secret: Melissa Zukerman, communications advisor for Ellison and RedBird’s Gerry Cardinale, has been meeting with Paramount P.R. teams and is expected to take on some role at the merged company. So pretty standard for a change-of-control period. Except for one tiny thing: the batshit chaos and political uncertainty hanging over the entire Skydance-Paramount deal thanks to the new Trump administration. If you ask Ellison about whether the transaction will close, he’ll probably tell you, as he did to one source of mine recently, that it’s “not a matter of if, just when.” And that’s probably still true. But when could be a big problem. Team Ellison once thought they’d get the keys to the Melrose Avenue gate in the first quarter of this year. Now even the first half of ’25 is looking iffy. With Trump suing CBS for $10 billion over the supposedly deceptive Kamala Harris 60 Minutes interview, and the president repeatedly saying that the network “should lose its license” (it’s actually the stations that are licensed by the government, not the network, but whatever), this thing has turned into one of the stranger and least predictable merger reviews in recent history. The drama heated up this week when the F.C.C., which shares authority with the D.O.J. to review media M&A, opened a public comment docket over the 60 Minutes “scandal,” which was revealed as not really a scandal when the F.C.C. posted the unedited transcript and it showed very normal and not-deceptive edits. Regardless, Brendan Carr, Trump’s pick for F.C.C. chair, has been making noise about policing censorship and media bias, and he knows all about Trump’s obsession with the media. For that reason, some have concluded that Carr will cite the bias issue exposed in the 60 Minutes docket as a reason to kill the transfer of the CBS licenses—and thus, the Skydance deal. But that’s not totally accurate. It’s true that the comment period on the 60 Minutes docket goes until March 24, after which Carr could hold the inquiry open as long as he likes. But that is a separate matter from the F.C.C.’s Paramount-Skydance review. Carr could have connected the 60 Minutes probe to the Paramount transaction via the already active docket for the merger, but he didn’t do that. He chose not to, even after the Center for American Rights, which brought the initial complaint about media bias, urged him to make that link. The docket for the merger is actually complete, meaning the F.C.C. can approve the deal whenever the chair decides to do so, regardless of whether the 60 Minutes inquiry is still ongoing.

“When He’s Ready to Do So”

Why did Carr open a separate docket? “It preserves optionality for the chairman,” Steve Rowings, a communications law partner and F.C.C. expert at Akin Gump in D.C., told me today. “Doing it this way, he is free to act on the merger when he’s ready to do so. But the important part of that sentence is ‘when he’s ready to do so.’ He’s in control of the timing, and if he is inclined to wait and see how this unfolds on the new [60 Minutes] docket before acting on any merger application, he can do so. It’s his prerogative.”
A MESSAGE FROM OUR SPONSOR
Black Box Diaries
Black Box Diaries
So the new move doesn’t mean the F.C.C. is more (or less) inclined to block the Paramount deal or extract draconian concessions, like requiring the sale of CBS or bringing in a more “unbiased” partner for CBS News, as has been suggested. As an F.C.C. commissioner, Carr actually has a pretty long history of criticizing lengthy reviews and those exact kinds of conditions. In 2017, for instance, he agreed with the approval of a telecom merger with limited conditions because “the agency will only impose merger conditions that are narrowly tailored to remedy transaction-specific harms. We will not be using them as a vehicle to extract extraneous concessions from parties.” A sale of CBS to remedy an editing gaffe on a single 60 Minutes interview would seem pretty extraneous, even to Trump or to the Texas legislator who called the situation “the biggest scandal in broadcast history” (which it is definitely not). But, Rowings noted, being in control of the timing does mean that Carr can make Ellison and Redstone sweat out a longer wait. In a Fox News interview in November, he at least hinted that he would connect 60 Minutes to the merger. “There’s … a news-distortion complaint at the F.C.C. still, having to do with CBS, and CBS has a transaction before the F.C.C.,” Carr said. “And I’m pretty confident that that news-distortion complaint over the CBS 60 Minutes transcript is something that’s likely to arise in the context of the F.C.C.’s review of that transaction.” Would Carr slow-walk the merger? Redstone seems to think so, which is why she’s said to be contemplating paying off Trump—sorry, settling the $10 billion case. Even if it’s an eight-figure check, that’s a relatively small tax on getting herself paid billions by Skydance. That might mean risking an upheaval at CBS News if she follows Bob Iger’s lead at Disney-ABC News and capitulates to Trump. But that would largely be Ellison’s problem, not hers. Given the Disney precedent, maybe Redstone would have tried to settle with Trump even if there weren’t an $8 billion deal hanging in the balance. But she’s definitely incentivized now that Trump and Carr have this leverage over her. All the while, Ellison must watch from afar, adhering to the S.E.C. rules prohibiting him from exerting control over Paramount while the sale is pending. If this thing is blocked or drags on, there’s always the chance that Redstone could walk away. That deadline is in April, subject to two automatic 90-day extensions. But doing so would risk the $400 million breakup fee Paramount must pay and the millions that Ellison loaned Redstone as part of the deal, so Shari is highly incentivized to see this through. In the meantime, though, the Paramount assets are just sitting there treading water. On July 7, when the merger was officially announced, the Paramount stock was at $11.81. Today, it closed at 10.84, a roughly 10 percent drop during a period when the Nasdaq rose more than 7 percent overall. Also during that time, Disney-ABC swiped the Grammy Awards from CBS-Paramount+, which endured a months-long standoff with Nielsen over the cost of the ratings service. Paramount’s streaming strategy still isn’t clear, even as rivals pull away and make moves to limit the damage from failing television networks. The Paramount movie studio is stuck in neutral; it’s got a current hit with Sonic the Hedgehog 3, but Gladiator II failed to match rival studio tentpoles over the holidays, and it whiffed in its Oscar campaign when September 5, Better Man, and Gladiator II failed to score major nominations. The longer the merger drags on, the more damage it inflicts on the company that Ellison will inherit. We saw this with the Time Warner-AT&T saga, where two years of fighting the first Trump administration sacrificed precious time that allowed competitors to jump ahead in the streaming wars. That’s the cost of these Trump shenanigans—and Trump and Carr know it. The irony here is that Larry Ellison, the mega-billionaire and Trump supporter whose money is largely financing the Paramount acquisition, is probably as ideologically aligned with the president as any possible owner of CBS besides Don Jr. Which is why the most likely outcome here seems to be Carr keeping Shari and David in a sauna for a few months, Shari writing an embarrassingly fat check so Trump can extract his pound of flesh and scream that he was right all along, and Carr approving the deal with a public statement vowing to monitor and police media bias now and into the future, ultimately giving Larry and his son what they want.
 
See you Monday, Matt Got a question, comment, complaint, or a deceptively edited interview? Email me at Matt@puck.news or call/text me at 310-804-3198.
The Town
Puck founding partner Matt Belloni takes you inside the business of Hollywood, using exclusive reporting and insight to explain the backstories on everything from Marvel movies to the streaming wars.
The Varsity
A professional-grade rundown on the business of sports from John Ourand, the industry’s preeminent journalist, covering the leagues, players, agencies, media deals, and the egos fueling it all.
Puck
Facebook Twitter Instagram LinkedIn
Need help? Review our FAQ page or contact us for assistance. For brand partnerships, email ads@puck.news. You received this email because you signed up to receive emails from Puck, or as part of your Puck account associated with . To stop receiving this newsletter and/or manage all your email preferences, click here.
 
Puck is published by Heat Media LLC. 107 Greenwich St, New York, NY 10006

SEE THE ARCHIVES

SHARE
Try Puck for free

Sign up today to join the inside conversation at the nexus of Wall Street, Washington, A.I., Hollywood, and more.

Already a member? Log In


  • Daily articles and breaking news
  • Personal emails directly from our authors
  • Gift subscriber-only stories to friends & family
  • Unlimited access to archives

  • Exclusive bonus days of select newsletters
  • Exclusive access to Puck merch
  • Early bird access to new editorial and product features
  • Invitations to private conference calls with Puck authors

Exclusive to Inner Circle only



Latest Articles from Hollywood

MELANIA documentary
Matthew Belloni • February 7, 2025
Can ‘Melania’ Open?
On top of the $40 million Amazon ponied up for Brett Ratner’s docu-hagiography, the studio is spending another $35 million to open it in 27 countries, including a splashy Kennedy Center premiere to be attended by top executives. But for all the expense, Melania is for an audience of one.
Ted Sarandos
Matthew Belloni • February 7, 2025
Movie Theaters Want a Ted Sarandos Blood Oath
Regal’s Eduardo Acuna goes public with his pitch for Netflix to sign a 10-year binding pledge with the Trump D.O.J. (and other ideas), ensuring Sarandos won’t go back on his recent promise to give Warner Bros. movies a 45-day window. Offering Greta Gerwig’s ‘Narnia’ a wide release would help, too.
Ted Sarandos
Matthew Belloni • February 7, 2025
How Netflix’s Sony Deal Explains Its Warners Pursuit
The streamer's new global agreement with the studio, valued at up to $8 billion, puts a public value on its slate. Now apply that math to its potential Warners takeover.


Kathleen Kennedy
Matthew Belloni • February 7, 2025
Kathleen Kennedy’s Final Episode
As president of Lucasfilm, the producer oversaw five Star Wars films, a wave of TV shows…. and a galaxy’s worth of abandoned projects and jilted filmmakers. With her exit finally official, is the franchise better off now than it was 14 years ago?
Bob Iger
Julia Alexander • February 7, 2025
The Math Behind Combining Hulu and Disney+
The long-ordained integration of Disney’s two streaming services is being heralded inside Burbank as a transformational moment for both. But will the merged platform really be more than the sum of its parts?
Kevin Spacey
Eriq Gardner • February 7, 2025
Kevin Spacey’s $80M Legal House of Cards
The disgraced actor is soon expected to sit for a brutal cross-examination in the rare Hollywood insurance dispute that has actually made it to trial. A potentially huge payout hinges on whose version of House of Cards’s ending prevails.


John Landgraf
Kim Masters • February 7, 2025
Can John Landgraf’s Slow TV Model Survive?
The oracle of Peak TV is at an inflection point as Disney+ absorbs Hulu and the chase for prestige gives way to the tonnage model.


Get access to this story

Enter your email for a free preview of Puck’s full offering, including exclusive articles, private emails from authors, and more.

Verify your email and sign in by clicking the link we just sent.

Already a member? Log In


Start 14 Day Free Trial for Unlimited Access Instead →



Latest Articles from Hollywood

Dana Walden
Matthew Belloni • February 7, 2025
20 Surefire, 100 Percent Probable Hollywood Predictions for 2026 (Part Two)
StrikeWatch ’26, a bizarre Michael Jackson record, and the future of Disney’s Dana Walden (if she’s C.E.O. or not) in the second act of the town’s favorite prognostication of the year ahead.
a minecraft movie
Scott Mendelson • February 7, 2025
It Was One Box Office Battle After Another in 2025
With Hollywood’s annual output back to resembling its pre-pandemic levels, some clear trends emerged: Kids showed up, horror hit more often than it didn’t, and the superhero slump is real. How might it all apply to 2026 and beyond?
Ted Sarandos
Eriq Gardner • February 7, 2025
Netflix’s Game of Antitrust Chicken
If the streaming giant wins Warner Bros., the feds will almost certainly present their next hurdle. And the Trump Justice Department might ask some questions that Netflix would like to avoid.


Sydney Sweeney
Matthew Belloni • February 7, 2025
20 Surefire, 100 Percent Probable Hollywood Predictions for 2026 (Part One)
The town’s favorite year-ahead forecast returns, with input from some of my best sources—plus a few celebrity Puck friends. The future of ‘Star Wars,’ Instagram Reels, ‘Rush Hour 4,’ and Sydney Sweeney foretold in the first of two parts…
Bryan Lourd caa
Eriq Gardner • February 7, 2025
The CAA-Range Finale, Zaz’s $500M Beef & Trump’s Media Damages Calculator
A look ahead at the most consequential media lawsuits and legal crises that will come to their conclusion in 2026.
Pam Abdy, Mike De Luca
Matthew Belloni • February 7, 2025
Hollywood’s Heroes of the Year Are… The Warner Bros. Duo
In 2025, Mike De Luca and Pam Abdy went from dead executives walking to a six-month stretch of blockbusters and Oscar contenders that silenced the town and offered a middle finger to their boss, David Zaslav. In an era when I.P. has taken over Hollywood, and their studio has been sold to Netflix (or Paramount?), they decided to go out swinging…


sam altman
Matthew Belloni • February 7, 2025
Hollywood’s Villain of the Year Is… Sam Altman
A year before the OpenAI C.E.O. gets the ‘Social Network’ movie treatment, the slop-ification of entertainment took a major leap in 2025 thanks to a copyright infringement hub called Sora 2 and Altman’s brazen courtship of Disney.
Get access to this story

Enter your email to get access to one article and free previews of our private emails from Puck authors and editors.

OR

Already a Member? Sign in



Latest Articles from Hollywood

Oscars
Matthew Belloni • February 7, 2025
The Oscars-YouTube Brand Problem
The streamer’s bold bid to host the Academy Awards offers maximum reach for a show that was becoming minimally niche, but mixing prestige and base populism has its potentially problematic downsides.
Ted Sarandos
Kim Masters • February 7, 2025
Does Anyone Believe Ted Sarandos on Theaters?
As the streamer’s winning bid to secure WBD faces regulatory scrutiny and a hostile offer from Paramount, Ted Sarandos insists that Netflix is committed to a standard theatrical window for Warner Bros. movies. Is it enough to earn Hollywood’s loyalty?
bob iger
Eriq Gardner • February 7, 2025
Disney’s Sora Wager & Hollywood’s Next A.I. Legal Battles
A field guide to the A.I. cases and deals that will shape 2026, including Disney’s recent peace treaty, the Elon-Altman feud, the next round of labor negotiations, the whole ScarJo voice issue, and many more…


david zaslav
Matthew Belloni & William D. Cohan • February 7, 2025
Who Wants Warner Bros. More?
Battle lines have been drawn over David Zaslav’s Warner Bros. Discovery, and both Netflix and Paramount think they have the winning formula. Will the Ellisons get to $34 a share? Can Netflix counter? Is Larry really “backstopping” all the equity? Or is the game already rigged?
Alan Horn and Rob Reiner
Kim Masters • February 7, 2025
Alan Horn Remembers Rob Reiner
The longtime exec paid tribute to Reiner, his onetime partner in Castle Rock Entertainment, and explained why the director dedicated their first movie together to his father.
Ted Sarandos, Greg Peters
Julia Alexander • February 7, 2025
Why Netflix Needs Warner Bros.
Prior to its $83 billion deal to acquire the studio and HBO Max, the streamer had never spent more than $700 million on an acquisition. But Netflix saw an opportunity to own, not license, a significant chunk of its content—and, perhaps more importantly, to block David Ellison from taking it away.


wicked cynthia erivo
Matthew Belloni • February 7, 2025
Can Media Coverage Buy an Oscar?
Every year, awards contenders and pretenders have been mounting unbridled and financially unchecked press campaigns in the hopes of boosting their chances. A new data analysis reveals that they maybe shouldn’t have bothered.


  • Terms
  • Privacy
  • Contact
  • FAQ
  • Careers
© 2026 Heat Media All rights reserved.
Create an account

Already a member? Log In

CREATE AN ACCOUNT with Google
CREATE AN ACCOUNT with Google
OR YOUR EMAIL

OR

Use Email & Password Instead

USE EMAIL & PASSWORD
Password strength:

OR

Use Another Sign-Up Method

Become a member

All of the insider knowledge from our top tier authors, in your inbox.

Create an account

Already a member? Log In

Verify your email!

You should receive a link to log in at .

I DID NOT RECEIVE A LINK

Didn't get an email? Check your spam folder and confirm the spelling of your email, and try again. If you continue to have trouble, reach out to fritz@puck.news.

CREATE AN ACCOUNT with Google
CREATE AN ACCOUNT with Google
CREATE AN ACCOUNT with Apple
CREATE AN ACCOUNT with Apple
OR USE EMAIL & PASSWORD
Password strength:

OR
Log In

Not a member yet? Sign up today

Log in with Google
Log in with Google
Log in with Apple
Log in with Apple
OR USE EMAIL & PASSWORD
Don't have a password or need to reset it?

OR
Verify Account

Verify your email!

You should receive a link to log in at .

I DID NOT RECEIVE A LINK

Didn't get an email? Check your spam folder and confirm the spelling of your email, and try again. If you continue to have trouble, reach out to fritz@puck.news.

YOUR EMAIL

Use a different sign in option instead

Member Exclusive

Get access to this story

Create a free account to preview Puck’s full offering, including exclusive articles, private emails from authors, and more.

Already a member? Sign in

Free article unlocked!

You are logged into a free account as unknown@example.com

ENJOY 1 FREE ARTICLE EACH MONTH

Subscribe today to join the inside conversation at the nexus of Wall Street, Washington, A.I., Hollywood, and more.

START 14-DAY FREE TRIAL

  • Daily articles and breaking news
  • Personal emails directly from our authors
  • Gift subscriber-only stories to friends & family
  • Unlimited access to archives
  • Bookmark articles to create a Reading List
  • Quarterly calls with industry experts from the power corners we cover