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A common fear in the art world these days is that, because Millennials—as well as the micro-generation known as Xennials—are more interested in experiences than in accumulating objects, they will somehow become a “lost generation” of collectors. With that myth in mind, I wanted to speak to a collector from this supposedly missing generation—one who, in his mid-40s, has been active for some time and seems to be as engaged now as he ever was.