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Earlier this week at the press preview for the Whitney Museum’s new show, Sixties Surreal, curators Dan Nadel and Laura Phipps posed a question: “What if surrealism, not cubism, had emerged as the dominant force to shape the course of postwar art in America?” Their presentation made an impressive case, and the show itself has many interesting and provocative works by more than 100 artists. But sitting there, I couldn’t help but notice that the curators’ counterfactual actually expressed our current reality. Surrealism has become the dominant force in the art world right now.