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Welcome back to The Varsity. I’m John Ourand, laser-focused on
Phoenix’s Biltmore Resort, where NFL owners just wrapped up their second day of meetings. The big story coming out of the annual confab has to do with the league’s labor problems with the referees’ union, the contours of which Eriq Gardner brilliantly laid out last night. In the end, the owners approved a plan to hire and train replacement referees.
And they gave the league office more discretion to help replacement refs correct bad calls—changes that will become moot if the league and refs reach a deal. In other words, the NFL and referees’ union remain far apart.
In today’s issue, the incomparable Julia Alexander analyzes the strategy behind Netflix’s latest price hike. Recent evidence suggests that it won’t lead to increased churn, but Ted Sarandos & Co. still have to strike the right
balance. This story is available only to Inner Circle subscribers, so click here for access. You won’t regret it!
Take it away, Julia…
Mentioned in this issue: Brian Roberts, Jake Paul, Matt Strauss, Bryson DeChambeau, Grant Horvat, Lacy
and Sketch, Michael Nathanson, Bela Bajaria, Brad Dalke, Spencer Neumann, Sean Walsh, Eddy Cue, Braylon Mullins, and more…
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Stat of the Week: 12 Tonnes
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Unfortunate news for anyone in Europe hoping to get their hands on a limited-edition Formula One
Kit Kat bar. Over the weekend, a truck carrying 12 tonnes of the chocolate was hijacked, Fast & Furious style, en route from Italy to Poland. Nestlé confirmed The Athletic’s original reporting on social media, assuring customers that its chocolates are still safe to eat, but sadly, the company is down about a few elephants’ worth of product. Maybe Eddy Cue can incorporate this into Apple’s next F1 movie.
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- New world, new problems: Over the weekend, long before UConn’s Braylon Mullins sank a truly amazing three-pointer to send home that overpriced night school just northwest of Raleigh, Twitch streamers Nick “Lacy” Fosco and Kylie “Sketch” Cox were kicked out of the Illinois–Iowa game after tournament officials discovered they were livestreaming the game to their tens of thousands of followers. Understandably, the NCAA
is trying to protect its partners’ rights to broadcast the game: Warner Bros. Discovery and Paramount coughed up tens of millions of dollars for the opportunity. The episode, however, underscored the challenges of exclusivity as livestreaming becomes ever more popular.
Of course, Meta is heavily investing in its Ray-Ban partnership, and the glasses make it relatively easy to record videos surreptitiously and upload them immediately to Instagram Reels, even if the quality isn’t quite
at the CBS Sports level. At the same time, sports leagues have been courting younger influencers for partnership deals and alternative broadcasts. The outcome seems inevitable: While I don’t condone Fosco and Cox’s behavior, don’t confuse these guys for outliers amid a complicated phase in the evolution of the industry. This is just the beginning. - YouTube’s golfmentum continues: A few months ago, I wrote about the torrent of young pro golfers
leaning into the creator world. Bryson DeChambeau has become the most obvious example, but plenty of other golfers, including Brad Dalke and Sean Walsh, have also found huge audiences on YouTube. It’s debatable whether their rising popularity derives from (or is driving) the growing number of people now hitting the links: The number of nine-hole rounds played at U.S. courses was up 5 percent year over year in 2025, and nearly 50 percent from
2020, per the United States Golf Association—but we’re seeing a similar phenomenon in skiing, another reminder that Gen Z is oddly obsessed with yuppie culture.
Now, that combination of youthful interest in the sport and golfers with massive online followings has spawned a new million-dollar tour, with the championship set to be held at the Wynn Resort in Las Vegas. Organized by Grant Horvat and Bryan Bros Golf, two YouTube channels with roughly 2.5 million subscribers
combined, the tour will bring together 16 of the top “digital” golfers over the course of four events. Dubbed the “Your Golf Tour,” the goal is to build a tournament “by the creators, for the audience who has grown with us.”
As I’ve been saying, YouTube doesn’t necessarily need to pour billions into exclusive sports rights to meaningfully participate in the industry. The newest tournaments may derive from YouTube directly. - Peacock’s silver
lining: Thanks to its NBA and MLB deals, Peacock remains firmly in the red while each of its competitors is moving farther into the black. Despite airing the Olympics, Super Bowl, and NBA All-Star Game in February, the streamer’s churn rate actually increased last month by a percentage point. It’s now double the industry average and eight percentage points above Netflix’s. Not great!
However, a new report from Hub Research should offer Matt Strauss and
Brian Roberts a bit of relief: Peacock was one of two services that saw customer recognition around programming—meaning that audiences knew where to find a certain show, game, or movie—increase last year. Unsurprisingly, this uptick was primarily driven by sports—an encouraging sign for a streamer whose parentco has poured hundreds of millions of dollars into distribution rights. It’s hard to imagine Peacock will be among the last streamers standing when this era of
consolidation ends, but at least NBCUniversal will be able to point to the success of its programming when the buyers start circling.
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And now, the main event...
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The world’s most dominant streamer keeps hiking its prices, and
industry insiders are openly wondering how much more the company can squeeze from its customers before they revolt. Based on the data, however, there seems to be plenty of juice left.
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Whenever Netflix announces another price hike (it’s basically an annual tradition at this point),
the trades and the streamer’s massive audience inevitably grumble and warn of a potential subscriber exodus. And yet, there’s a good reason the complaints fall on deaf ears. Sure, Ted Sarandos and Bela Bajaria’s push into the sports realm is usually cited as the reason why the company needs to increase prices, and not all their customers are clamoring to watch the next Jake Paul fight or MLB’s Opening Night. But for executives making the
call, there’s only one metric that matters: subscriber churn, which has hovered around 2 percent for years at Netflix, according to Antenna.
As everyone knows, that’s far below the average churn rate at most other premium streamers, which shed subscribers at between 4 and 6 percent each month between February 2025 and February 2026. (A few outliers, including Peacock and Paramount+, have experienced churn between 7 and 10 percent.) The only service within spitting
distance has been the Disney+ and Hulu bundle, which sits at less than 3 percent. The takeaway is unavoidable: Despite semiregular price increases, Netflix’s value proposition remains unmatched.
At this point, the biggest question facing Netflix finance chief Spencer Neumann is how much customers are actually willing to pay. Most people get sticker shock eventually—even if the higher fees are contributing to even better content, including costly live sports
rights that have expanded Netflix’s TAM. But there are a few paths that Netflix can take to keep subscribers in the funnel while carefully hiking up the cost.
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Netflix has more than 325 million global subscribers, including 190 million monthly
active users on its ad-supported tier—not too shabby for a 3-year-old ads business. Disney’s combined streaming services reach 157 million monthly active viewers on its ad tier, while Amazon has more than 315 million. (Admittedly, trying to make apples-to-apples comps is difficult. Netflix’s 190 million figure is purely based on Netflix subscribers, while Amazon’s includes Prime content as well as free ad-supported content that used to live on Freevee.) But Netflix is asking customers to opt-in
to an ad tier, while Amazon went in the opposite direction, putting nearly all of its customers on its ad tier overnight. Given its subscriber mix, Netflix needs to keep improving the value for full-priced superfans—i.e., those willing to pay for the premier, ad-free, 4K streaming version of the service—while also migrating more users onto the ad tier.
There are some promising signs that Netflix can pull this off. Despite survey data suggesting that users would cancel
their subscriptions if Netflix kept increasing prices—including one study, from two years ago, putting that at-risk population as high as 38 percent of its total subscriber base—Netflix customers are switching over to the ad-supported tier rather than canceling outright. In the first five months of 2025, the ad tier accounted for almost 50 percent of all new additions to the service in the U.S., according to Antenna.
If Netflix can keep churn hovering around 2 percent, and convince
price-sensitive users to watch ads rather than cancel, the streamer can both increase revenue and reach for its advertising and league partners. Michael Nathanson, a principal analyst at his namesake firm MoffettNathanson, made this point in a recent note. “Netflix now has greater ability to take price on the top end while recapturing users looking to reduce their monthly bill in an industry-low priced ad-supported offering,” he wrote.
“This reduces net churn for the overall platform, while driving incremental revenues via advertising as the company looks to aggressively scale this secondary revenue stream.”
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Meanwhile, conventional wisdom holds that sports are one of the best ways to keep users from
churning. And while there’s plenty of data underscoring the value of sports content, Hub Research’s latest report on the streaming space revealed that sports aren’t among the primary reasons Netflix customers keep the service—ease of use and exclusive series both ranked higher. It’s a reminder that sports can be a surprisingly complicated value prop for any general-entertainment platform, which is a good lesson as rival services try to offset sports rights investments with price
increases. Amazon, for example, told users that their Prime memberships were increasing because of the NFL, which isn’t great messaging for those who don’t care about Thursday Night Football.
Indeed, Netflix needs to continue selling users on the breadth of content beyond the latest eventized game or tournament. Streaming has hit saturation in the U.S., and the two most potent growth levers remaining are price increases and churn reduction. The end of
last year marked the first time that streaming growth fell into single digits, according to Antenna, as total subscribers grew by about 7 percent—about half of what it was in the same period of 2024. Still, Netflix accounted for about one-quarter of all new additions in Q4, about 10 percentage points higher than Disney+ and Hulu.
The uncomfortable truth for many in the industry is that Netflix has come closer than any other company to re-creating the cable bundle. Its licensed
procedural programming and comedies have effectively replicated the lean-back experience that was once the domain of broadcast; its premium entertainment competes with the likes of HBO and FX; and the slow introduction of sports is only cementing its status as the stickiest streaming service. Industry insiders keep asking how much more Netflix can ask of its customers—and, based on the data, it seems there’s still a lot of goodwill left.
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Thanks, Julia. See you all on Thursday.
John
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Puck sports correspondent John Ourand and a rotating cast of industry insiders take you inside the executive suites
and owners boxes where the decisions that shape the entire sports business are made. You’ll hear interviews with players, network execs, and everyone in between. The Varsity is an extension of John’s private email for Puck by the same name. New episodes publish every Wednesday and Sunday.
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Ace media reporter Dylan Byers brings readers into the C-suite as he chronicles the biggest stories in the industry:
the future of cable news in the streaming era, the transformation of legacy publishers, the tech giants remaking the market, and all the egos involved.
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